Matt’s Top Ten Films 2020
Color Out of Space is a cosmic tale of what happens when a meteor lands in the grounds of ex-artist Nathan Gardner (Nic ‘Mandy’ Cage)’s rural alpaca farm. The titular ‘Color’ is slowly unleashed and proves to be an extra-terrestrial organism that spreads madness and violence.
The results are a mash-up of grisly body-horror and psych-out – shot through with laugh-out-loud humour. Basically, this is a perfect Friday night entertainment.
Based on the actual Winter Droving event that takes place in Penrith – this newest entry into the growing Folk-em-up horror genre that includes classics like The Wicker Man and Midsommer adds some revenge motive violence to the mix.
As the second feature from indy production company Rubicon Films, this is an exciting slice of high tension that slow burns with a voodoo menace right up until the occult climax. Other reviewers have cited the excellent Dead Man’s Shoes as a reference point and I totally get that, I’d add Ben Wheatley’s Kill List too.
Telling the tale of two Lighthouse keepers or ‘wickies’ who both have dark secrets. Ephraim Winslow (Robert Pattinson) is a broken former lumberjack, whilst the grizzled experienced keeper Thomas Wake (Willem Dafoe) seems to be unnaturally possessive of the upper light chamber... This mismatched duo must man the lighthouse on a strange grey islet off the coast of late-19th-century New England, but all might not be so straight forward as the last assistant wickie killed himself citing influence from bad omens and enchantments.
Folk tales work when the set-up is simple, but the underbelly is deep, packed with creeping dread, unnatural events and sights and sounds that will unnerve you. The Lighthouse is a brilliant but very odd film, presented in black and white on 35mm – immediately evoking David Lynch’s 1977 cult classic Eraserhead. The similarities don’t end there as both films take the viewer on a sensory assault, where at times you don’t even really know quite what’s going on…
3. Bad Boys for Life
The infamous Bad Boys are back in town some 25 years since Bad Boys hit the cinema. Much has changed since then but this 3rd outing is kinda awesome in that it brings the wise-cracking, whiz-bang buddy cop formula up-to-date and makes it feel fresh again for whole new audience.
Of course, that’s not entirely true, as a huge fan of the original I’m sensing that the record-breaking box-office of this threequel is largely due to many other like me who have been waiting to see Mike
(Will Smith) and Marcus (Martin Lawrence) hit the streets again.
Jojo has a secret, an idiotic imaginary friend, Adolf Hitler himself no less (played by Waititi) – who stokes the young lad’s ideological indoctrination.
This comic Nazi-em-up might sound like being in poor taste but it goes full-throttle hilarious from the off and you’ll be caught up in the infectious madness before you know it. The premise is liable to make viewers uncomfortable as it makes fun of the horrific fascism, but clever writing is spot on and makes lots of really good points about the horror of war.