Peripheral
(18)
Dir.
Paul Hyett
Reviewed by Matt Adcock (@cleric20)
“Nobody wants to hear a writers voice”
Writing
can be tough, but for hotshot Bobbi Johnson (Hannah Arterton) whose debut novel
‘Bite The Hand’ has caused a sensational social reaction as the voice of
disaffected youth – it can be murder. Tasked with delivering a second book, her
obnoxious publisher Jordan (Belinda Stewart-Wilson) demands she produces copy – by whatever
means necessary.
Bobbi lives alone and
doesn’t use computers, preferring to write on a low-tech typewriter but as her
inspiration dries up and the publication deadline looms she reluctantly agrees
to have a next-generation AI ‘super word-processor’ which can edit in real-time
but has a mind of its own – not adverse to changing plot details and things
like the main character’s sex.
Speaking of sex,
the monstrous AI computer that watches everything through a red lensed HAL-like
webcam (which also looks like a disembodied Terminator eye) seems to have
unnatural designs on Bobbi herself, in a nice echo of the classic chiller ‘Demon
Seed’. Things get icky when the computer goes all Evil Dead tree scene updated
with HDMI cables…
Anyway – as well as
a pervy computer Bobbi is also being menaced by a crazed stalker who send
old school VHS tapes of mutilation and her junkie ex-boyfriend really isn’t
much help. As her mental health deteriorates and her hands start to turn black – it seems
like her very life might be in the balance. Pressing on with more and more tech
upgrades being delivered, the future looks bleak until she learns that her literary
hero (a small cameo from Tom Conti) visits and says he is using the new tech
too.
There are a lot of
fun, disturbing ideas in Peripheral but somehow alas the sum of the parts doesn’t’
add up to a satisfying whole. Arterton gives it her all in the lead role but
she doesn’t have her older sister’s effortless screen presence.
Eventually as
Director Hyett throws in porn clips and throbbing red strobe lighting – it all
unravels into a mess which makes the film feel like an art-house wannabe cult
classic rather than anything more. By the time the computer’s master ‘Merlock’
(Jenny Seagrove), turns up to inspect her social experiment the film has mostly
imploded.
As an author myself I can relate to the creative pressures and there is certainly enough here to make you wonder where we’re going as AIs become more and more part of our lives. The irony is that you need a VOD peripheral such as a Virgin box to watch this as it releases on streaming platforms this week.
Peripheral is an odd film, not quite scary enough to be a horror, not
exciting enough to be a thriller – one for hardcore cyber tech fans only.
Out of a potential 5 - you have to go with a Darkmatters:
öö1/2
(2.5 - Ideas aplenty but coherence lacking)
Awesomeness ööö – Nice initial build-up
Laughs ö – Not funny
Horror ööö – Icky body horror moments and some menace
Spiritual Enlightenment ööö - Plug in your soul
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