ALIEN: EARTH – EPISODE ONE “NEVERLAND”
A darkly delicious prequel that brings the Xenomorph home...
Matt 'Cleric20' Adcock
Here at Darkmatters, we’ve been excited for Alien: Earth ever since it was announced that Noah Hawley, yep, the genius behind Fargo, would be steering this ship. Hawley’s talent for blending character depth, genre thrills, and thematic bite made him the perfect choice to crack open a fresh corner of the Alien universe. Episode one, Neverland, not only delivers... it drags you in, straps you down, and whispers corporate-approved nightmares in your ear.
SETTING THE SCENE
It’s 2120, just two years before Ripley’s ill-fated encounter aboard the Nostromo. A deep-space research vessel, the USCSS Maginot, has been on a staggering 65-year mission gathering alien specimens, including the ever-loving facehuggers. The ship’s return to Earth should be a moment of triumph… but this is the Alien universe, and triumph rarely survives first contact.
On Earth, the Prodigy Corporation has been busy. Their “Neverland” facility isn’t a playground, it’s a synthetic hybrid research lab, where terminally ill children have their consciousness transferred into adult synthetic bodies. Our way into this unsettling premise is Marcy, reborn as Wendy, who now watches over the other so-called “Lost Boys.” The Peter Pan reference isn’t subtle, but it’s smart... this isn’t about eternal youth, it’s about what you lose when you can’t grow old at all.
WHEN IT ALL GOES TO HELL
The Maginot’s navigation fails, sending it plummeting into the corporate sprawl of New Siam. Cargo breaches, specimens escape, and yes: the Xenomorph makes its grand, blood-slick entrance. In the chaos, Wendy’s brother Joe Hermit, a medic, is forced into survival mode. The tension here is Hawley at his best, with character stakes first, then the carnage.
WHAT MAKES IT CYBERPUNK
Corporate Dystopia – Alien: Earth keeps Weyland-Yutani in the mix but introduces Prodigy Corp as a worthy rival. Both are chasing immortality through biotech, with human lives as expendable test data.
Identity Crisis – Wendy’s existence asks the question: is consciousness in a synthetic shell still “you”? And if so, what happens when you see your own humanity being slowly overwritten?
Peter Pan with Teeth – The Lost Boys allusion adds a strangely emotional undercurrent to the horror, this is about arrested development in the most chilling sense.
Classic Horror DNA – The production design is gloriously analogue, the shadows deep and dangerous, the sound design sharp enough to make you flinch. It feels like it belongs alongside Alien (1979) and Aliens (1986), but with its own philosophical edge.
THE VERDICT SO FAR
Critics have been quick to heap praise: Rotten Tomatoes is sitting pretty at 93%, Metacritic at 84/100, with many calling it one of the strongest pilot episodes in years. Sydney Chandler’s Wendy is the standout—a perfect mix of vulnerability and quiet menace. Some reviews have noted pacing wobbles and undercooked side characters, but honestly, that’s splitting hairs when the world-building and atmosphere are this strong.
For us at Darkmatters, Neverland feels like exactly the kind of bold, creepy, big-brain sci-fi we want from an Alien prequel. Hawley’s Fargo knack for weaving human frailty into violent chaos is all over this, and it works beautifully.
LOOKING AHEAD
Episode one leaves us with delicious questions:
Can Wendy keep her humanity, or will the machine win?
How far will Prodigy and Weyland-Yutani go in their arms race for immortality?
And just how many alien nightmares can Hawley serve before the season ends?
We’ll be here every week, dissecting the horror, the themes, and yes, the kill-count. Because if Alien: Earth keeps this up, it might just be the best thing to happen to the franchise since Cameron’s marines hit LV-426.
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(5 - In space people will hear you scream 'this is an excellent start!')
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1 comment:
I enjoyed this opening episode and have also watched the second one now. I feel that having such a large spaceship crash onto the planet is a great and clever way to merge both settings. I have a feeling that there will be a few twists with the main company characters. A modern BURKE will be expected. The Alien we have seen so far gives me Alien 3 vibes but with modern design. It seems to be a young alien with a playful and murderous mind. I am excited to see where it all goes. Thanks for this review.
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