Darkmatters Review: Silver Linings Playbook

Silver Linings Playbook (15)

Dir. David O. Russell

Reviewed Matt Adcock

“The only way to beat my crazy was by doing something even crazier. Thank you. I love you. I knew it from the moment I saw you. I'm sorry it took me so long to catch up.”

You don’t have to be really good looking to be mentally challenged but it obviously doesn’t hurt if looking for a happy ever after ending if Silver Linings Playbook is anything to go by!? Yes, step this way for writer/director David O. ‘The Fighter’ Russell’s feisty, feel-good drama / romance, which sees hottie man’s man Bradley ‘Limitless’ Cooper wooing the Hunger Game’s Jennifer Lawrence – both of whom are struggling with mental health problems…

It might sound like a nightmare cheese-em-up with plastic props to the those who lives have been blighted by their own emotional instability, but (to quote my gorgeous wife) Silver Linings Playbook is ‘One of the best, if not the best, film I have ever seen. Funny, crazy, achingly brilliant and moving and freaky and beautiful!’

"I wanna see you sweat"

High praise indeed and whilst I wouldn’t go quite that far – Silver Linings Playbook was certainly a lot better than I was expecting and actually delivered a great date night experience.

So we have Cooper playing Pat Solitano, a bipolar sufferer (I hate being bipolar, it’s brilliant!! – sorry) who gets out from a spell in an institution where he was locked up for beating one of his fellow teachers into a pulp because he was having an affair with his wife Nikki (Brea Bee).

He’s still convinced that he’s going to get back together with Nikki – this despite her having taken out a restraining order on him, cue therapy sessions with Indian psychiatrist (Anupam Kher), much brow-beating and the occasional freak out… Pat is discharged into the care of his rather dysfunctional family with his OCD dad Pat Sr. (Robert De Niro) and fretful mum Dolores (Jacki Weaver). But getting back on your feet when you’re still in denial about reality isn’t easy – especially when you have anger management issues. Fortunately there is comic relief on tap from ‘also mental’ buddy Danny (a bulked up Chris Tucker) – even if it doesn’t always sit comfortably with the serious issues Pat is trying to deal with…

"does OCD run in the family?"

Lawrence’s sexy, messed up widow Tiffany is having a bad time after going a bit nuts and having sex with every single one of her work colleagues (yes the women too), so what are the chances that she and Pat will fall in love and overcome their mentalismness through the medium of ballroom dance?

Hey this is where the feel-good heart of the film kicks in, with Pat’s mantra borrowed from Monty Python of ‘always looking on the bright side of life’ leading up to a make or break will they / won’t they end up together ending… Cooper and Lawrence generate tons of steamy chemistry and the dancing mechanic allows for lots of almost kiss moments – plus lingering camera shots of Lawrence’s impressive bust in various skimpy outfits.

Silver Linings Playbook does everything by the numbers, but does it all with lots of conviction so you can’t help but be caught up in the moment. Perfect date material – and possibly the best mental health comedies since One Flew Over The Cuckoos Nest.

Out of a potential 5 you have to go with a Darkmatters:

ööö1/2 - definitely worth a watch for romantics and mental health sufferers

3.5 – Strong chemistry from the leads makes this sizzle

Awesomeness ööö – the drugs don't work!?

Laughs ööö – some nicely funny stuff, quite dark too

Horror öö – not very grim but Pat's angry wig outs can be scary

Babes öööö – Lawrence is getting fitter by the movie

Spiritual Enlightenment ööö - look for the silver linings!

"Lawrence slips into something more comfortable"

Darkmatters Review: Sightseers

Sightseers (15)

Dir. Ben Wheatley

Reviewed by Matt Adcock

“I don’t think I could live without Pot Pourri…”

Step this way for a pitch black comedy caravan road trip into the very heart of darkness that beats behind a sensible woollen jumper and ginger beard…

Although they formed part of my childhood, I’ve always had my doubts about folk who do their holidaying in little metal boxes pulled (frustratingly slowly) around the country, but Sightseers blows the Formica lined doors off the homicidal potential of these people.

Ben ‘Kill List’ Wheatley delivers a fantastically nasty but also extremely funny caravan-em-up, which sees oddball British couple Tina (Alice Lowe) and Chris (Steve Oram) cutting a murderous swathe through the lesser-known tourist attractions of the Midlands.

"Death in the air..."

Coming on like a modern day Badlands crossed with Natural Born Killers and The League of Gentlemen, this is an immediate cult comedy-horror classic, which delivers quality shocks and laughs in equal measures. Much like the excellent God Bless America did for the U.S., Sightseers is a very British rant about what lengths a disturbed mind might go to in order to enforce what socially acceptable behaviour is – as long as it’s on their terms. So littering, acting like a Chav or just being a Daily Mail reader is basically to forfeit your life if you cross paths with Chris. It doesn’t take long before Tina proves that she too has a murderous potential and a trail of small-scale murder and mayhem is the result.

Both the leads are superb in their deadpan depiction of two lifelong losers who find unlikely romance – it’s just a shame for most of the people that they meet that this couple is so deeply sociopathic. Sightseers – written by Oram and Lowe and produced by Edgar ‘Shaun of the Dead’ Wright - builds up a excellently low-fi almost inane reality, one that can be readily related to even as the OTT violence escalates. And however unpleasant Sightseers gets, the filmmakers cleverly manage to keep a good balance between the emotional characterisation and disturbing black humour.

"Walkies..."

Horror fans will be satisfied by the gruesome elements that do not pull any punches, whilst comedy fans will be tickled by the genuine laugh-out-loud moments. Overall it adds up to freakishly fun night out.

Sightseers is certainly not for the faint of heart but it does offer those willing to take a strange, dark and wonderful caravan odyssey, a holiday experience you’ll never forget.

Out of a potential 5 you have to go with a Darkmatters:

ööööö – Dark gruesome fun in a classic Brit style

5 – Never trust a caravaner with a beard!?

Awesomeness ööööö – Daily Mail readers beware!

Laughs öööö – Very funny but you need to 'get' it...

Horror öööö – Serious nasty in parts

Babes öö – Lowe in her home knitted crotchless undies is a sight

Spiritual Enlightenment ö - Casual murder is wrong!?

"Alice Lowe - get's down..."

"Leelee Sobieski - looks the type to be a Sightseer!?"

Darkmatters Review: End of Watch

End of Watch (15)

Dir. David Ayer

Reviewed by Matt Adcock (@cleric20)

“I am the police, and I'm here to arrest you. You've broken the law. I did not write the law. I may disagree with the law but I will enforce it. By law I am unable to walk away. I am a consequence. I am the unpaid bill. I am fate with a badge and a gun.“

Lock and load for David ‘Street Kings and Harsh Times’ Ayer's powerful found-footage cop-drama-em-up. End of Watch is an awesomely kinetic free flowing tale of two likeable cops who get marked for death when they inadvertently tick off a powerful / evil drug cartel who have started operating on their L.A. beat.

"You have the right to remain dead..."

The filmmakers use a variety of handheld, shaky lapel attached and cc tv style cameras to bring an uncompromising fictional insight into the day-to-day life of hot-shot cops Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Peña).

End of Watch brings some superb gritty action but balances it with a ton of good-natured banter and joking around between the two leads which makes you care about them – especially when the plot puts them right in harm's way. The sweary dialogue may be crude and not to everyone’s taste but it feels refreshingly ‘real’.

The hand-held footage genre has already been used really effectively in the excellent ‘Chronicle’ but was annoyingly rubbish in ‘Paranormal Activity 4’ this year. End of Watch comes in on the positive side – taking you right ‘into’ the dangerous street level action.

"Christmas bonus from the LAPD"

The performances of Gyllenhal and Peña are absolutely fantastic, creating a believable and likeable police buddy partnership – it feels all the more authentic due to the two having spent time with actual LAPD officers. Love interests are on hand in the form of Anna Kendrick and Natalie Martinez, who give the film an even stronger emotional core. Viewing End of Watch is like hanging out with two best pals whose friendship is forged in the heat of battle and constant threat of danger into a strong genuine bond.

The obligatory bad guys are a small army of tattooed scumbag foot soldiers led by Big Evil (Maurice Compte) – playing against type as he was a Police Officer in the TV Cop drama Southland. The fact that the baddies have cameras as well allows for an awesome ambush scene shot from both viewpoints.

Grim, funny and altogether exciting, be careful out there and be sure to check End of Watch!

Out of a potential 5 you have to go with a Darkmatters:

ööööö – Best cop thriller for a long time!

5 – A cult classic in the making 

Awesomeness ööööö – everything works really well

Laughs öööö – very funny in places

Horror ööö – some nasty moments

Babes ööö – Anna Kendrick and Natalie Martinez

Spiritual Enlightenment öö - brothers to the end

Darkmatters Review: The Twilight Saga Breaking Dawn - Part 2

The Twilight Saga: Breaking Dawn - Part 2 (12a)

Dir. Bill Condon

Reviewed by Matt Adcock

“I thought we would be safe forever. But "forever" isn't as long as I'd hoped.”

Here it is then – the ‘epic’ end to the Twilight Saga. The supernatural film series that has limped along in highly unconvincing fashion, pleasing many girls and alienating many guys along the way.

Fans of Team Jacob and / or Team Edward finally get to see how it ends for pouty and now red-eyed Bella Swan (Kristen Stewart), her sparkly skin oddball vampire hubby Edward Cullen (Robert Pattinson), and bad boy, often-shirtless wolfy Jacob Black (Taylor Lautner),

"just your average vampire family"

Is it any good? Well despite an unpromisingly miserable and criminally dull Part 1, Breaking Dawn – Part 2 actually manages to be the ‘least bad’ of the whole franchise. I asked my son’s girlfriend Aimee – who is a self confessed fan of Twilight for a female reaction to the film… She said: “It was fantastic, just brilliant!” - a friend's daughter Rebekah Middleditch was also keen to make sure a female voice got heard in this review - so she says:  "I thought that the film is great because it is so full of surprises. I love the bit where Bella and Edward move into their new house because it’s so romantic and it’s such a sweet moment. I love Twilight it’s such a fun young movie and they are all great actors, it’s a shame that it is now over."

Hhhmmm - so I guess it doesn’t really matter what I say!?

Anyway, the plot revolves around Bella’s new half human / half vampire baby Renesmee whose existence is apparently a crime to the vampire overseeing council The Voluturi. The only hope for a happy ending seems to be for the lead trio to assemble a team of witnesses from around the world who can vouch that the young offspring won’t herald the end of vampire-kind.

Cue a weird bunch of blood suckers (each with handy X-Men like powers) getting together to try and convince the Volturi not to massacre the baby and our teen heroes.

The heroic X-Factor finalists lined up...

Along the way we also get to witness Bella learning to use her new super strength, speed and erm, sense of smell… Now married she and Edward are morally free to spend most of the time in bed together too making super powered love to each other.

All this is bit hard on her poor human dad (Billy Burke) for whom she has to ‘pretend’ to still be human too. Wolf boy Jacob adds to the tension by ‘imprinting’ on the baby girl “Nessie" – whose accelerated growth rate means that she can become a viable love interest for him by the end of the film… Doesn’t make it feel right though.

Fans of the books might also be in for a shock as a wholesale plot diversion sees the Cullens, their friendly werewolves and witness pals having a mass brawl with the baddie Volturi who themselves have special powered vamps such as Jane (Dakota Fanning) who can hurt people with her mind. It’s a bold move and by far the most exciting ten minutes of all five films!

Out of a potential 5 you have to go with a Darkmatters:

ööö – a quality historical thrill ride worth taking

3 – better than Breaking Dawn Part 1 (DM Review) 

Awesomeness ööö – the fight is at least worth a look

Laughs öö – couple of smirks to be had

Horror ööö – weedy for a 'horror film'

Babes ööö – Kristen looks better undead!

Spiritual Enlightenment öö - true love waits (forever)

"a rare non angst-ridden Stewart"

Darkmatters Review: ARGO

Argo (15)

Dir. Ben Affleck

Reviewed by Matt Adcock

‘The movie was fake. The mission was real.’

Welcome back to 1979, things are a tad tense in Iran where the American embassy is being stormed by enraged supporters of the Ayatollah Khomeini. Most of the unlucky American staff are taken hostage, but six plucky souls manage to escape and find shelter in the official residence of the Canadian ambassador.

But with the hostile crowd hunting for them and diplomatic relations strained beyond breaking point, a daring rescue mission must be devised by the CIA. With odds described as being ‘worse than many suicide missions we ran in the war’, exfiltration expert Tony Mendez (Ben Affleck, who also directs) comes up with a crazy plan – to create a phony Canadian sci-fi film which would require some locations shots in Iran.

"the game of 'bag on head surprise' wasn't fun..." 

The plan would see Mendez fly into Iran, meet up with the target exiled Americans and then fly out with them pretending to be his Canadian film crew. To help the plan have any chance of looking ‘real’, some Hollywood bigwigs are drafted in. And so one of the world’s most exciting escapes is attempted – and it’s all true!

I’m sure that Argo plays a little fast and loose with the facts of the situation but there is no denying that the tale is well staged and brilliantly acted and directed by Affleck. It’s probably not going to win many friends in the Muslim world as it clearly depicts the CIA and Yanks as the good guys and the Iranian people as a whole as mostly fanatical Muslims, baying for Yankee blood. The cast are superb throughout, Alan Arkin and John Goodman are great comedy value as the Hollywood fake film team and the period detail feels spot on – the moustaches are especially impressive.

"A brilliant thriller? I'll drink to that!"

Where Argo really shines though, is in the sheer edge-of-the-seat tension that it ramps up, this is a high quality white-knuckle thrill ride. You don’t need to have been around during the 1970s and 1980s to appreciate Argo but for those who were too young to fully understand what was going on, this is an eye-opening glimpse of a powder keg international situation. As anti-Iranian sentiment in the United States is worryingly high at the moment – there is potentially the possibility that another ‘Argo’ style plan is happening even as we speak.

Are those Disney/Star Wars announcements actually the start of a massive CIA cover operation?

Out of a potential 5 you have to go with a Darkmatters:

öööö1/2 – a quality historical thrill ride worth taking

4.5 – Affleck does it again! 

Awesomeness öööö – very high levels of tension

Laughs ööö – Ar go F.... = comedy classic line

Horror ööö – nasty in places but not too grim

Babes öö – Nerdy analyst look a go go

Spiritual Enlightenment ööö true human spirit (and maybe God on your side?)

Alternate review? Try Cultureslap!!

Kerry Bishé

Darkmatters Review: Silent Hill: Revelation 3D

Silent Hill: Revelation 3D (15)

Dir. Michael J. Bassett

Reviewed by Matt Adcock

Welcome to back to Silent Hill, a place formed by the twisted psyche of those who have suffered unimaginable horrors, an alternate dimension ruled by demonic forces…

If that sounds like the sort of place you fancy spending some time then Silent Hills Revelation 3D, the second movie based on the classic PlayStation game series, delivers an eye-popping 90 mins of frightful fun. Just don’t expect any sense of a coherent plot, set your cheesy dialogue filter to ‘on’ and sit back and let the lavishly grim visuals sweep over you.

"this is where you normally press 'x' to duck'

The Silent Hill series won gamers over by its use of disturbing symbolism and psychological dream-state horror visual flair. The problem when it comes to bringing this to the big screen is that it a very different medium – and a very different experience to watch characters being chased by freaky monsters rather then have them actually (virtually) chasing you!?

For those who have never experienced Silent Hill either in game or film form up until now – this is a story where metaphors of the madness and fragileness of sanity abound, pretty deep stuff. Alas Silent Hill: Revelation 3D – which tries to shoehorn most of the third game into the sequel plot to the first film – ends up as an exercise of ‘flash visuals, shame about the film’.

"what's it all about?"

Basically Sharon (who has now renamed herself Heather and is played by Adelaide Clemens) was saved from Silent Hill by her mother (who didn’t make it out)… Her dad (Sean Bean) is doing all he can to hide her from the monsters in Silent Hill but before you can say ‘cash in’ she’s back in the netherworld with Red Pyramid (a giant sword wielding muscled executioner with a pyramid shaped helmet) and demonic pals.

Silent Hill once again brings some seriously grisly shocks and mind bendingly grim creatures to the screen – even making decent use of the 3D for some visual flourishes - which is all well and good for horror fans and those who loved the games. But unfortunately, this follow up just doesn’t match the first one or the games in any respect other than giving more screen time to the fan favourite Pyramid Head (he even pops up after the end credits).

So this second cinematic trip to Silent Hill yields diminishing returns, this is a film that would feel more at home on DVD.

Out of a potential 5 you have to go with a Darkmatters: 

öö – scary visuals but little more

2 – weak but Red Pyramid is a character than deserves his own film

Awesomeness ööö – There is one awesome climactic fight  

Laughs ö – Not funny

Horror öööö – Gruesome in places

Babes öö – Clemens looks just like the videogame character

Spiritual Enlightenment ö Limited darkness

Darkmatters Review of SILENT HILL

"Adelaide Clemens - nice smile"

Darkmatters Review: Skyfall

Skyfall (12a)

Dir. Sam Mendes

Reviewed by Matt Adcock

“THINK ON YOUR SINS…”

This is the cyber threat at the heart of Skyfall – a doomsday scenario for the undercover spies the world over… Yes 007 is back (played once again by the excellent Daniel Craig) to save the day, it’s hard to believe that the world’s favourite secret agent has now been fighting for Queen and Country for 50 years.

Also back is M (Judi Dench – better than ever) but times are tough – and a new threat has the whole MI6 / British secret service looking like it has lost its relevance in the 21st century…

"sharp dressed agent"

Sam ‘American Beauty’ Mendes directs Skyfall – which has already taken the UK box office by storm with the second biggest opening weekend of all time. It’s easy to see why – this is Bond at his best and Skyfall kicks the doors in with a truly epic entry in the franchise.

M and MI6 are under attack, a global list of all undercover anti-terrorist agents has been stolen – it seems someone has a very personal grudge and it is down to Bond to fight back.

Bad guy this time is mad computer hacker and ex-MI6 Agent Raoul Silva (Javier Bardem), and he’s potentially one of the best Bond villains ever – think The Joker from The Dark Knight and you’ll have some idea what to expect. Silva is out for revenge against M and Bond will be tested to the limit as he strives to protect his boss, even whilst she is being investigated by MPs for her recent actions.

"Defender of the city..."

Skyfall does pretty much everything right, bringing high quality action, stunning locations, gorgeous Bond girls – in the shapely form of Naomie Harris's Eve, and Bérénice Marlohe's Sévérine – and some ‘cheer out loud’ crowd pleasing Bond-isms such as a new ‘Q’ (Ben Whishaw) and another spin for the classic DB5.

Best of all Skyfall make Bond fun again – judging the balance of action and danger just right to make this the family film of the year (we took our sons aged 15 and 11 – who both loved it). The ‘12’ certificate is used well, the fights are brutal enough to prevent the film feeling too ‘tamed’.

This is Craig's moment as Bond, the good work he did in Casino Royale is cemented to icon status here, even making up for the weaker Quantum of Solace. The whole package delivers on all fronts – Skyfall comprehensively trounces Taken 2 and The Bourne Legacy – it is by far the best spy action film of the year and should sure up the Bond franchise for some future adventures. Welcome back Mr Bond!

"nice dress"

Out of a potential 5 you have to go with a Darkmatters:

ööööö – An immediate classic!!

5 – Ah Mr Bond, we've been expecting you

Awesomeness ööööö – This is vintage Bond!

Laughs ööö – Genuinely funny in places

Horror öö – Tense but not grim

Babes ööö – Harris & Marlohe are fine eye candy!

Spiritual Enlightenment ööö – for Queen and Country!

Much better than Quantum of Solace

"That Bond girl look!"

Darkmatters Review: Paranormal Activity 4

Paranormal Activity 4 (15)

Dir. Henry Joost and Ariel Shulman

Reviewed by Matt Adcock

“All the activity has led up to this…”

The best possible opening background to this film review has already been written by the awesome Chris Blohm of Little White Lies magazine – he explains: “When William Friedkin's horror classic The Exorcist was released upon an unsuspecting public in 1973, the Reverend Billy Graham declared that the actual celluloid on which the film had been printed was, in fact, possessed by a malignant, infernal force. Graham was nothing if not a great showman, and this provocative announcement only added to the general hullabaloo surrounding the film's release.

Another great showman, Steven Spielberg, did a little myth-making of his own when he saw an early version of Oren Peli's found-footage chiller Paranormal Activity. It was said that upon watching the film, Spielberg noticed a door to an empty bedroom had inexplicably locked. Sufficiently freaked out, he apparently wrapped the screener in a plastic bin bag and sent it back to Paramount quick sharp, convinced his copy was indeed harbouring some kind of spectral presence…”

So if William Friedkin's horror classic The Exorcist (perhaps regarded as the ‘daddy’ of all supernatural horror films), a mighty head-spinning, dread inducing masterpiece, could only muster two lacklustre sequels… What hope is there for PA4?

Ah, well, Paranormal Activity however is a modern day horror phenomenon, one that effectively energised the ‘found footage’ subgenre and is going strong into its fourth movie.

"who's that?"

However, if we’ve learnt anything about horror franchises, it’s that part four is often a weak effort – so can Paranormal Activity buck the trend or is the curse of the fourth movie about to strike again? The first film broke new ground with it’s intimate ‘the horror is right in your home’ gimmick, part two built on the mythos / still delivered on the scares and even part three upped the ante by showing why this Paranormal Activity is all kicking off.

But something has gone badly wrong., This entry feels weak, rushed and lacking in any real scares (other than the occasional ‘jump’ moment). It’s like the directing team of Joost and Shulman have been possessed by the malign spirits of some hackneyed, ‘straight to video’, directors… and unleashed on unwitting cinema goers to wreak supernatural disappointment.

"nothing spooky here..."

If you’re a Paranormal Activity fan, you need to seriously lower your expectations because whilst part four brings back many of the original components and characters, the creeping dread has gone AWOL along with the inventiveness.

The plot takes place five years after the events of the second film – and starts with a brief recap of how demon possessed Katie went on a murderous rampage killing her sister Kristi and disappeared with their baby, Hunter.

"ok so it's getting mildly freaky here..."

The action then switches to 2011 where young teen Alex (promising newcomer Kathryn Newton) and her boyfriend Ben (Matt Shively) start to notice strange things going on after a weird kid and his mum move in across the street. Might they be Katie and Hunter?

The level of ‘Paranormal Activity’, as usual for the series, begins moderately and escalates slowly, up until and crazy rushed last two minutes which raises more questions than it answers.

"flying without wings..."

Laptops and webcams form most of the surveillance footage this time round thanks to the teens video chatting etc. The new family are basically here to do nothing but wonder about the odd kid and then probably die while the plot stumbles along failing to move the brand into anything new or even interesting.

It would be tragic if the series ended on this damp squib after starting so strong, but unless the creators manage to pull off a feat of staggering supernatural resurrection with part 5 – all the activity has not led up to much.

"Paranormal cooking tips anyone?"

Read another version of this review over at Biggleswade Chronicle which I write for weekly...

Out of a potential 5 you have to go with a Darkmatters:

öö1/2 – Budget demons and lots of Zzzzzz

2 .5 – ooops... there goes the franchise if not careful

Awesomeness öö – Not enough 'activity'

Laughs öö – Couple of LOLs

Horror ööö – Some very brief moments

Spiritual Enlightenment -ö – the power of Christ compels you to go 'meh'

Not as good as Paranormal Activity 3

"newton and pals go fairy"

Darkmatters Review: Pusher

Pusher (15)

Dir. Luis Prieto

Reviewed by Matt Adcock

Step this way for a ride on an express elevator to hell…

Meet Frank, he’s a small-time drug pusher – played with a wide-eyed, realistic feeling charisma by the excellent Richard Coyle (who incidentally looks a lot like my good pal Mike).

In just one week, Frank’s life completely falls apart, big time… And the film takes viewers along for the nail biting, ill-fated ride.

This is an English language remake of Pusher a Danish crim-em-up tale by ‘Drive’ director Nicolas Winding Refn. If you know the original then, you’ll know exactly what to expect – a big deal is on the offing which goes wrong and leaves Frank in debt by £55,000 to Milo (Zlatko Buric reprising his menacing role form the original).

"Frank backs up his loser mate..."

With just two days to payback the money, Frank begins to desperately call in favours from his friends and family – and when his last chance risky drug import plan from Amsterdam goes belly up, he has to resort to crazed violent measures in order to try and save his knee-caps.

Pusher looks the business, a fantastic blend of drab lesser-seen parts of London mixed with throbbing neon-lit clubs and stark interiors. The visual flair of the film is great, if you look carefully, there are icons such as the face of Jesus, skulls, subliminal messages and the like - hidden (and some not so hidden which mirror Franks increased desperation) on walls, in paintings, on windows etc. This is a brilliant move as it gives a whole additional level of depth to the proceedings.

The soundtrack has been amped up too thanks to dance music legends Orbital who have created a superb album of tracks to go along with the movie.

"Not a good guy to be in debt to..."

As Frank’s life falls apart before his very eyes, his long suffering girlfriend Flo (the gorgeous model turned actress Agyness Deyn) doesn’t know whether to stick with him or cut her losses and run.

So we have a scary escalation of violence that feels disturbingly plausible - crime boss Milo is a walking, talking one-man government anti drugs campaign (if having anything to do with drugs means mixing with such nasty types!)…

Director Luis Prieto delivers a very watchable, gritty and exciting crime odyssey – but even with great performances and cool flashy visuals, this can’t quite match the sheer energy of the original.

Out of a potential 5 you have to go with a Darkmatters:

ööö1/2 – Throbs with a heartfelt 'crime screws you up' message

3.5 – Don’t do drugs, do go see Pusher.

Awesomeness ööö – The iconography is like playing 'Where's Wally of the Soul'

Laughs öö – Darkly funny in places

Horror ööö – more implied than on screen

Babes öööö – Agyness Deyn is scorching hot!

Spiritual Enlightenment ööö – enough to make you evaluate your life...


Second opinion from: Simplistic Reviews

"Agyness Deyn in wig and here 'work' outfit"

"Agyness Deyn in her 'pixie' mode"

Darkmatters Review: Borderlands 2

Borderlands 2 (PS3 version tested)

Developed by Gearbox Studios

Reviewed by Matt ‘Siren’ Adcock

"Hey kiddo. Jack here - President of Hyperion. Lemme explain how things work here: Vault Hunter shows up. Vault Hunter looks for the new Vault. Vault Hunter gets killed. By Me. See the problem here? You're still alive. So, if you could just do me a favour and off yourself that'd be great. Thanks, Pumpkin."

This is the up-beat intro given to new players of Borderlands 2 by ‘Handsome Jack’ – a guy so evil that he lists shooting children as one of his lighter recreational hobbies… You play the part of a Vault Hunter – and taking down Jack, bringing freedom to the people of Pandora and finding the legendary ‘Vault’ - that's your mission.

"come visit Pandora - bring a gun!'

Borderlands 2 picks up the plot shortly after the end of the first game. Those who played the original will find everything in place – the mechanics of shooting and getting around are immediately familiar, the choice of character to play nicely balanced across four classes (Commando = soldier with his own auto turret, Gunzerker = tank who can dual wield two weapons at once, Siren (that’s me BTW) = semi magic user who has a power called ‘Phase Lock’ to immobilise enemies and Assassin = stealth with a cloaking power. There are more classes on the way via DLC too but these are a great range to pick from to begin with.

But whilst the game feels familiar, it also feels ‘refined’ – it’s slicker, better and more fun and still packs possibly the best shooting / loot-based game engine ever!? Grinding your way to better levels and buying tastier weaponry is the core and it is just as addictive this time around. Working your way up to the initial level cap of 50 means that you’ll meet and kill an agreeably eclectic mix of foes across Pandora too. What is great here is the Non Player Characters are more compelling – plus you’ll get to meet the four original vault hunters from the first game!?

"you'll meet all sorts!"

As well are the dangerously awesome gun fighting combat, the dialogue is just superb too, you’ll not want to skip the cut scenes as they are always well-written and often laugh out loud wrong. From the fun CL4P-TP steward bot, sidekick ‘Claptrap’ to his friends, through to homicidal teenage cutie ‘Tiny Tina’ and the insidious Handsome Jack (whose best line is probably "Butt stallion says "Hello". “), these are a bunch of characters you’ll have lots of fun hanging out with!

Borderlands 2 claims to pack over a million guns, so it’s going to be take some time to collect em all but this gives the game a killer one more quest, one more level up, one more gun / shield / artefact compulsion – not good for your sleep levels!? Then there’s the excellent online co-op for up to four players (or 2 split screen) – this is just lots of fun, and makes the game even more enjoyable as you swap banter and nicked each other’s loot drops.

"the wildlife is very erm, friendly!?"

As Charlie Brooker once said: “Shooting people in the face never gets old”
If you hated Borderlands, you might not enjoy Borderlands 2 but then I feel sorry for you as you obviously have no taste in games… Borderlands 2 is an epic, addictive and altogether genius game – it looks, plays and feels lovely on the PS3 which was the development machine – so if you are looking for a high quality game to see you through to 2013, this should be top of your list!!

Out of a potential 5 you have to go with a Darkmatters:

ööööö – Gotta shoot em all!

5 – Compulsive, beautiful and very satisfying!

Darkmatters Review: Sinister

Sinister (15)

Dir. Scott Derrickson

Reviewed by Matt Adcock

"You think these are serial murders?”

Welcome to a film that lives up to it’s title!?

Sinister is a superb exercise in big screen horror, a full-blooded ghostly tale with a hard, nasty edge. Think of Sinister as this generation’s The Shining and you’ll have some idea of what you’re getting into if you choose to take this cinematic trip – but be advised this is not for the faint of heart…

Director Scott ‘The Exorcism of Emily Rose’ Derrickson has crafted a quality modern day scary movie that resonates as an immediate (oc)cult classic.

This is the unhappy tale of crime writer Ellison Oswald (an on form Ethan Hawke), who unwisely moves his long suffering family – wife Tracy (Juliet Rylance) , son Trevor (Michael Hall D'Addario) and daughter Ashley (Clare Foley) – to a house whose previous occupants were horribly murdered.

"not for the squeamish"

The grisly multiple hanging that happened at the property is to be the topic for Ellison’s book, but it turns out that the deaths (and disappearance of the other daughter in deceased family) are linked to a series of murders. As he begins to uncover the links between the unsolved slayings and abductions – in each case one of the children is taken whilst the rest of the family are killed – forces beyond Ellison’s darkest nightmares begin to close in on him and he realizes that his family may be the next victims.

Sinister uses the fast becoming ‘meh’ found footage device, in this case a box of old Super 8 films of the killings, and thanks to some cool writing, genuinely unnerving plot devices and decent special effects, breathes new and deeply unsettling life into the genre.

This is a very scary film, which builds up a deep sense of dread and taps a primal level of suspense which when combined with some very effective ‘jump’ moments had the audience screaming out loud in places. Hawke is excellent as the writer who becomes haunted by the grim snuff films he finds in the antic, sucking you in to the escalating threat that is closing in on his family.

As a Christian I found the fabricated mythos of Sinister interesting in that it deals with an ancient ‘pagan Babylonian deity’ called Bughuul – and links it to the idea that images and film itself can conduct evil. Start contemplating those sort of things and you’ll find that there’s plenty of hidden depth to ponder behind the slick schlock horror on offer here.

Sinister is the best horror movie of 2012 by a mile.

Out of a potential 5 you have to go with a Darkmatters:

ööööö – Haunting, scary, slick horror - an instant classic

5 – A laser guided shotgun blast of chilling thrills

Awesomeness ööööö – effectively grim stuff that will freak you out

Laughs ö – not a funny film

Horror ööööö – some heavy duty shock chills

Babes ö – not really

Spiritual Enlightenment öö – lots of ponder if you really want to...

Playstation 3 super slim brings amazing value

The iconic PlayStation 3, first brought to us in 2007, has been reinvented for the next wave of innovation and creativity... Yes the world's best gaming machine is back and smaller and funkier than ever before packing a cool 500Gb or a intro level 12Gb.

Sales of Sony's PS3 rocketed 138% over last week following the release of Sony's PS3 'Super Slim' 500GB console - so it seems that there is a real hunger for HD gaming on the slimmer side!?

Basically the trusty PS3 has had a makeover – reduced in size yet again, the contours are slicker, the shape more seductive. But what the console now lacks in size, it makes up for in entertainment offerings across film, catch up TV services, music and of course, video gaming (am currently deep in my Borderlands 2 addiction).

But now more than ever, the PlayStation 3 is more than a games console, it’s a true entertainment hub. Blu-rays in stunning HD,  3D movies and gaming capabilities which go so well with the Sony TVs... especially cool if you have a LoveFilm and Netflix account.

There are a growing number of 'catch-up' TV services on the PS3 now too, allowing you to watch what you want when you want - including the BBC iPlayer, ITV Player, 4OD and the recently launched BBC Sports Application.

"Wonder if it will be any good?"

Launching in November, Wonderbook™,  is a new and innovative PS3 peripheral, will potentially transform the world around you with the next step in reading and augmented reality gaming. The first title available for Wonderbook is ‘Book of Spells’ featuring exclusive new and original writing from J.K. Rowling - which will no doubt please Harry Potter fans.

With further titles set for release from renowned entertainment partners such as BBC Worldwide (Walking with Dinosaurs) and Disney, Wonderbook has serious all age potential.

The brand new 12GB PlayStation 3 will be hitting shelves October 12th, and will be offered separately, or via a host of value added bundles, if you haven't gotten into the fantastic world of opportunities that PS3 provides, this Christmas you really should make the move!