Nevada Noir
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(5 - Turbo-charged crime-em-up that kicks like a shotgun to the heart)
Buy your copy of Nevada Noir here
Nevada Noir
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(3 - This 'little' piggy went CHOMP CHOMP CHOMP)
Awesomeness öööö – a couple of great scenes
Laughs ööö – amusing too
Horror öööö – animal attack violence!
Spiritual Enlightenment öö - bacon bites back
Imagine a world where the earth is becoming hell?
maybe click below to find out more in my dark sci-fi novel...
Read my review of The Last House on Needless Street over at the British Fantasy Society CLICK HERE
Buy your copy of The Last House on Needless Street HERE
Check Catriona's Goodreads Page HERE
Preorder / Buy your copy of Love Like Bleeding Out HERE
Find Steve on twitter - he's @stevegone58
Dir. Emerald Fennell
Reviewed by Matt Adcock (@cleric20)
“Even though the gods are crazy / Even though the stars are blind / If you show me real love, baby / I'll show you mine / I can make it nice and naughty / Be the devil and angel, too / Got a heart and soul and body / Let's see what this love can do / Maybe I'm perfect for you…”
Arriving like a shotgun blast of expertly timed catharsis, Emerald Fennell’s Promising Young Woman hits hard with its message that claiming to be a ‘nice guy’ isn’t enough in this world where #MeToo still needs wider engagement.
Meet Cassandra (Carey Mulligan), she’s that girl over there in the bar who looks like she’s so drunk she can’t take care of herself. She’s beautifully dishevelled with her hair loose and her skirt hitched up. This is a woman who really needs someone to call her a reputable taxi and to make sure she gets home safely but having caught the attention of three guys across the bar, they are already discussing who should hit on her.
Jerry (Adam Brody) goes up to her and offers ‘to see her home safely’ but somehow his definition of this is to take her back to his apartment and ply her with kumquat liqueur before forcibly getting her to his bed. Let’s just say that what happens next isn’t what he was expecting…
Following in the spirit of the excellent Hard Candy which tackled the thorny issue of creeps grooming underage girls online – only to end up as a semi-horror story when one girl decides to drug and castrate the seemingly charming scumbag. Promising Young Woman goes for the throat of guys who think they have a right to have sex with women who are too drunk to say ‘no’.
Cassie is a real-life Harley Quinn-esque a really Promising Young Woman who doesn’t play by society’s rules. Having dropped out of medical school, she still lives with her parents – despite them getting her not-so-subtle birthday presents such as travel cases. She works in a dead-end coffee shop much to the annoyance of her boss (Laverne Cox) who keeps trying to get her to do more with her life.
When Cassie meets Ryan (Bo Burnham), a smooth-talking and seemingly genuine potential love interest it unbalances her even further. Can she learn to trust this guy who is prepared to woo her by dancing to Paris Hilton in a chemist shop?
It is a wild ride finding out and the action which gets dark in parts plays out to an excellent soundtrack – which features tracks that will stay with you after the credits roll including a great dark version of Britney Spears’ Toxic and opens with Charli XCx's Boys...
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(5- Essential viewing..)
Awesomeness ööööö – vital and brilliant
Laughs ööö – Some dark fun
Horror ööö – Trigger warning applies...
Spiritual Enlightenment öö - God isn't a man
Imagine a world where the earth is becoming a patriarchal living hell?
maybe click below to find out more in my dark sci-fi novel...
That’s enough plot taster, Whisper Gatherers is a sci-fi young adult-friendly novel that is the first book in ‘The Song of Forgetfulness’ Post-Apocalyptic series. Writer Nicola McDonagh uses a narrative, which as per my first paragraph is a slang-based language that may appear to have typos. They are not, it’s just quirky use of language to build a futuristic world – like a much less controversial A Clockwork Orange by Anthony Burgess!?
There’s lots to enjoy as Adara has to face various trials and dangers – McDonagh ticks the sci-fi staple boxes with aplomb and delivers a fun romp that sets up the other books in series which I’ll have to explore are some point.
A great start to an inventive sci-fi series...
Buy your copy of Whisper Gatherers HERE
BOTH these books are worthy of your time - we're gonna call this fight a points draw!!
...is a cracking space adventure and I'm a sucker for some star-based violence... Reminds me of Outland starring Sean Connery which is one of my fav sci-fi films being pretty much High Noon in space – and as a concept that works really well (a Marshal stationed at a mining colony on orbiting Jupiter is marked for assassination and must fight to survive). So it follows that transporting western plots to space which is the ultimate ‘wild frontier’ is a great idea, and here Red Noise takes the classic A Fist Full of Dollars (itself based on samurai legend Yojimbo) and sets it on ‘Station 35’ a godforsaken outpost where nothing good ever happens.
I got John the author to answer the Infamous Darkmatters questions - read on:
Read my review of RED NOISE over at the British Fantasy Society CLICK HERE
Buy your copy of RED NOISE HERE
Visit John's site here
Directed by Max Barbakow
Reviewed by Matt Adcock (@cleric20)
Feels like I’ve written this review before – anyway – it’s November 9 in Palm Springs and I, Nyles (played by Andy Samberg) wake up next to my girlfriend Misty (Meredith Hagner). It’s the wedding day of her pals Tala (Camila Mendes) and Abe (Tyler Hoechlin).
It all goes ok until at the reception I jump in and deliver a touching impromptu speech, much to the relief of Tala's sister, Sarah (Cristin Milioti), she’s the drunk and unprepared maid-of-honour...
She’s special – I can feel a connection so I decide to show her Misty in the act of cheating on me – I’ll get to how I know when and where she would be in a minute. Alas things go a bit awry and Sarah gets sucked into a time vortex even though I warned her not to follow me into the cave where it dwells.
Feels like I’ve written this review before – anyway – it’s November 9 (again) in Palm Springs but this time Sarah wakes up and finds it is also November 9 for her again. Obviously, she freaks out a bit and but I explain the time loop as best I can. Every time I die or fell asleep the day resets and there’s nothing I can do to escape it. I’ve been in this loop for a L O N G time and know pretty much everything that happens in the day. I find day-drinking helps…
Feels like I’ve written this review before – anyway – it’s November 9 (again) in Palm Springs and Sarah and I start to enjoy our repeat day. We get reckless and start to indulge in lots of hedonistic fun – oh there’s also Roy, I should have mentioned him. He’s also caught in the loop but didn’t take it well and now comes to find, torture and kill me quite often.
Feels like I’ve written this review before – anyway – it’s November 9 (again) in Palm Springs – if you’re thinking Groundhog Day or Happy Death Day or actually any time loop movie, yes this is one to add to the genre. The good news is that Palm Springs is superb, its dark, quirky and packs real emotion along with plenty of laughs.
Getting old isn’t much fun – I’m feeling it as I hit the half-century mark – ageing begins to catch up with you in all sorts of ways, like I can walk into a room and totally forget why I even came in there… So what then can we do to help our ageing demographic live sustainable and independent lives for as long as possible? How might integrated tech be harnessed to enhance the lives of those who need reminders to buy food and take showers? (I’m not quite there yet)… Welcome to John Gastil’s Gray Matters – a near-future tale where things around us are at once familiar and alternative. Trump still won but then got beaten (by a female, though). The internet has been supercharged and is now referred to as ‘The Loop’ using advanced linked algorithms to understand people’s interests and directly feeds relevant information.
I had the chance to put some questions to the LOOP itself - read on to explore this man / machine interaction:
ACCESS - my review - of John Gastil's great future-em-up GRAY MATTERS over at the British Fantasy Society CLICK HERE
Buy your copy of GRAY MATTERS here
Visit John's site here
Appreciated by Matt Adcock (@Cleric20)
David ‘yeah I wrote Training Day’ Ayer makes movies that many people dislike, for many reasons. However - I’d call myself a fan of his despite his making one film that I absolutely hated (maybe I’m due a rewatch?)…
Anyway – here are my ranking of all Ayer’s films from rubbish (Sabotage) to brilliant (End of Watch) – would love to know what your thoughts are on them.
Hard to fathom what was going on here – and incredible to think this film hit in the same year as Ayer's excellent ‘Fury’. Reworking Agatha Christie’s And Then There Were None - this lamest of Ayer’s films sees Arnold Schwarzenegger looking angry and confused as his crack team are taken out one by one – ironically because of $10m crack money they stole…
Street Kings (my review)
I’m told that Street Kings was based on a James Ellroy novel idea and it plays like a slightly grubbier-than-average police-em-up. Blessed with having Keanu Reeves in the lead, there is lots to like in this tale of corruption and consequences.
Bright (not reviewed yet)
Bright might not live up to its name but I found it a half-decent fantasy buddy cop effort that looks good and doesn’t demand any brainpower to enjoy. Even if it has dialogue like “fairy lives don’t matter today” there are some good action scenes and the orc/human relationship is interesting – mostly thanks to Joel Edgerton who deserved the ‘best orc actor’ OSCAR nom.
Will we ever see the Ayer Cut of this massively enjoyable shambles? Probably not but I’m a self-confessed sucker for DC movies and I’m in the tiny minority of filmgoers who actually had a good time watching this.
The Tax Collector (not reviewed yet)
The Tax Collector is another Los Angeles-based thriller that blows the lid off the lives of two titular ‘tax collectors’. Boasting one of the best gunfights I’ve witnessed on screen for some time and perhaps birthing my most used twitter gif of LeBeouf giving the perfect COVID-friendly arm bump (as above), this is one that makes for great late-night viewing.
I’ll never forget Ayer's directorial debut because I got to watch in a Soho cinema with just Mark Kermode and James King from Radio 1 for company. Christian Bale is amazing as the traumatised guy on an express elevator to hell.
Brad Pitt and Shia LeBeouf are excellent in this war-is-grim film that packs serious violence and shoots it through with an innocence lost epitaph. Brothers to the end (and what an end) this film makes me want Ayer to make another war movie!
I love this police-em-up take on the whole ‘found footage’ genre. Jake Gyllenhaal and Michael Peña are LAPD cop buddies – who light up the screen. Surely this chemistry is what Ayer was hoping to recapture with Bright but here it shines like an eyeball-searing supernova. Excellent filmmaking and a wild ride to watch!!