Darkmatters Review: Let Me In

Let Me In (15)

Dir. Matt Reeves

Reviewed by Matt Adcock

“Just so you know, we can't be friends...”

Prepare yourself for the best horror film of the year. Let Me In (a remake of excellent Swedish masterpiece ‘Let The Right One In’) does for vampires something that a million Twilights, True Bloods or Vampire Diaries can only hope to – it grips the very soul of the viewer and never lets go.

If you’ve seen Let The Right One In you may be sceptical that a US remake could come anywhere near to capturing the haunting, dreamlike understanding of the acute alienation experienced by damaged tweenagers. But from the icy, snow covered New Mexico opening shot, to the unnervingly hopeful very last frame, Let Me In somehow manages to add a compelling new slant on the source material from John Ajvide Lindqvist’s novel.

Let Me In is the story of twelve year old Owen (Kodi ‘The Road’ Smit-McPhee, who looks like a young Gareth Bale). Bullied unmercifully at school and drifting apart from his newly single mother, Owen is a lost soul in desperate need of a friend. It seems his lonely prayers have been answered when Abby (Chloe ‘Kick Ass’ Grace Moretz) moves into his block of apartments. Cool, confident and adverse to wearing shoes – even in the snow, there is something special about Abby, something different, something dangerous.

The two children carry this bittersweet story on their young shoulders and both deliver amazingly assured performances. In Let Me In the adults take a back seat and director Reeves even cleverly keeps Owens’ mother’s face always just out of focus as a clue to his sense of disconnect with her. Other adults in the plot include Richard Jenkins as Abby’s ‘Father’ and Elias Koteas as the detective tracking the escalating string of unexplained grisly murders – both supply quality, understated support.

"It's just that I've been 12 for a very long time"

This is a deep dark tale, that takes in gut wrenching violence one moment and sweet shared youthful friendship the next. If you haven’t seen the original I’d recommend seeing Let Me In first as it is probably more accessible (my wife said that ‘Let The Right One In’ was probably the freakiest thing she had ever seen).

Matt Reeves has created a fantastic, tragic, heartbreaking classic horror experience that will stand with Near Dark and The Lost Boys as one of the coolest vampire films of all time. Gird yourself and seek out Let Me In as soon as possible (then buy Let The Right One In on DVD too!).

UNSEEN DELETED SCENE:

Abby meets Edward Cullen from Twilight and beats the living daylights out of him for being such a pussy.

Burke and Hare are given a mandate to wipe out all the Scots


Darkmatters rating: ööööööööö (9 quality vampire bites out of 10)

Darkmatters quick reference guide: Action 8 / Style 9 / Babes 7 / Comedy 6 / Horror 8 / Spiritual Enlightenment 4

"Eat some now, save some for later..."

 Watch the trailer here

Darkmatters hearts Let Me In - Trailer

Choose to 'Let The Right One In'... if you dare!?

Darkmatters loves Let The Right One In

But will the US remake 'Let Me In' do justice to the classic original?

Today a new trailer hit along with the rather cool posters above and below.

Have a look and see what you think...

"Beware young vampire girl (Chloe Moretz)"

"She has form for blood letting after all - did you see Kick Ass!?"

Matt Adcock 

Darkmatters Review: Let The Right One In

 

Let The Right One In (15) 'Låt den rätte komma in' 

Dir. Tomas Alfredson 

Reviewed by Matt Adcock (@cleric20)

Sometimes a film comes along – out of nowhere and speaks to your very core… 

That is one of the reasons that I love being a film reviewer, yes there are lots of rubbish flicks that have to be seen but once in a while you find something special… Let The Right One In is a masterpiece. It’s freaky, it’s heartbreaking and grim – but it also has a beating heart of unrequited happiness and innocent joy that transcends the macabre events therein. I saw this back in April on the big screen and have been itching to see it again. Since then I have read the original novel by John Ajvide Lindqvist who also adapted it into the film. The book is excellent too, but darker and full or incidental detail that whist making for a rich reading experience has been wisely exorcised here. 

For example, in the novel Eli’s "father", Hakan (played with hound-dog perfection by Per Ragnar), was a paedophile… whereas in the film we’re never fully informed of his motives or inner thoughts – and the back story as to how Eli became a vampire is caustically grim too. Film viewers are allowed the luxury of wondering ‘what if’ instead and it works. 

But once you’ve experienced the film, reading the book adds layers to the characters and situations, which may highlight just how far they miss the point in the American remake next year.

   

"It's tough being 12..." 

Director Alfredson has superbly crafted a film that goes beyond mere entertainment and becomes an experience much greater than the sum of its parts. Watching this movie, you are tapping into a force that can short-circuit you and rewire your emotions. Let The Right One In is the film that Twilight wishes it could have been. 

This is the 1980’s tale of young Oskar (Kare Hedebrant) a pale, virtually albino, blonde skinny twelve year old who wears clothes that only his mother could think look ok. Oskar is a bully magnet and his school life is hell thanks to scumbag in the making Conny (Patrik Rydmark) and his gang. 

One night Oskar meets a strange girl called Eli (Lina Leandersson), she’s all big eyes and out of place mannerisms, plus she doesn’t seem to feel the cold or know what a Rubik’s Cube is. But an unlikely deep friendship is forged and when on another occasion Eli notices that Oskar has been hurt by the bullies, she tells him he should “hit back” and that if it gets too much that “she can help”… The film’s title comes from a song by Morrissey “Let the right one slip in” which includes the very apt line “And when at last it does, I’d say you were within your rights to bite the right one and say ‘What kept you so long?’”

   

“I’m twelve. But I’ve been twelve for a long time... and you don't want to mess with me...” 

This film delivers a rare experience – my wife called it ‘quite the strangest thing she’d ever seen’.

Movies like this are set apart from the run-of-the-mill - you don't just watch Let The Right One In, you feel it too...

Darkmatters final rating of: öööööööööö (10 – this is a rare treat for those who can handle it!) 

Darkmatters quick reference guide: 

Action 7 (hits hard when it comes, sparingly used 'less is more') 

Style 9 (the bleakness drips from the screen) 

Comedy 6 (dark dark humour to be found) 

Horror 8 (blood is integral to the plot) 

Spiritual Enlightenment 8 (friendship knows no bounds)

Imagine a world where the earth is becoming hell?

Click below to find out about my dark sci-fi novel...