DARKMATTERS - The Mind of Matt
You met me at a very strange time in my life...
TREAT yourself to the audiobook version: DARKNESS AUDIOBOOK
Listen to the PODCAST I co-host: Hosts in the Shell
Read my novel: Complete Darkness
TREAT yourself to the audiobook version: DARKNESS AUDIOBOOK
Listen to the PODCAST I co-host: Hosts in the Shell
Wednesday, February 17, 2010
Darkmatters Review: The Wolfman
The Wolfman (15)
Dir. Joe Johnston
Reviewed by Matt Adcock
It is said that “even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfsbane blooms and the autumn moon is bright...”
Things certainly get a bit hairy at the cinema when The Wolfman bounds back onto big screen in this lavish remaking of the 1941 ‘classic’ tale of horror. Here we have hairy Lawrence Talbot (Benicio Del Toro), a leading actor who returns to his ancestral home when his brother goes missing. Upon being reunited with his hairy father (Anthony Hopkins) Talbot learns that his brother’s body has been found ripped to pieces by either a wild animal or a maniac. Whilst out in search of the attacker, he too is bitten by the monster but Talbot survives and is nursed back to health by his brother's widow, Gwen (Emily Blunt).
Director Joe ‘The Rocketeer’ Johnson goes all out for sumptuous gothic look and feel – so prepare to see no end of eerie mists and shots of racing clouds in front of moon. It is alas a case of style over substance as the creaky plot brings nothing much new to the werewolf genre which is finally getting a little long in the tooth in the face of the vampire onslaught which shows no sign of abating.
The special effects of the painful looking transformation scenes are probably the most eye-popping man to wolf conversions since the famous American Werewolf in London and use a pleasing mixture of make up seamlessly fused with CGI trickery. You’ll wince as bones crack, fingers stretch into claws and hair – so very much hair - bursts out of every pore. All this effort though is undone when you behold the final wolfman beast as he looks almost as unconvincing as the 1941 version.
The action scenes that looked so promising in the trailer are mostly bland affairs alas. Limbs are torn off frequently and the body count invariably rises with every full moon but what should be horrifically chilling and disturbing comes across after the first couple of attacks as ‘seen one CGI decapitation – seen em all’.
Police inspector Abberline (Hugo Weaving) is the man tasked with bringing the beast to justice, which might be easier said than done with the prospect of more than one lycanthrope howling into the night sky.
The door is left well and truly open for a hairy sequel too but on the strength of this effort, we can only hope that fangs sharpen up if it gets the green light.
UNSEEN DELETED SCENE:
The Wolfman is transported by a gypsy curse to a deathmatch where he has to face off against all the werewolves from films such as American Werewolf, The Howling, Wolf, The Company of Wolves, Wolfen and Twilight etc - until only one remains... Wolfman goes down like a pussy in the first round to a sub standard CGI werewolf from Underworld!?
Darkmatters rating: ööööö (5 gothic full moons out of 10)
Darkmatters quick reference guide: Action 6 / Style 8 / Babes 6 / Comedy 5 / Horror 6 / Spiritual Enlightenment 4
Darkmatters Review: MAG Massive Action Game
MAG: Massive Action Game (PS3)
Reviewed by Matt Adcock
It is now 2026: The Post WW3 political climate forces the world's superpowers to turn to Private Military Corporations. The three largest PMCs are locked in a ‘Shadow War’ to control the global, paramilitary contract market. It is time to enlist and enter the world of MAG.
Sony have been working hard to wrest the ‘shooter’ crown from the Xbox360 whose Halo and Gears of War games (along with the multiplatform Call of Duty / Modern Warfare series) have set the pace for online multiplayer killing. In 2009 however the battle was well and truly entered with the awesome Killzone 2 following the decent Resistance 2, Socom and the excellently playable Warhawk as PS3 exclusive shooters of merit.
Now 2010 sees the stakes raised higher with MAG – Massive Action Game which does something that impressive – allows 256 players to fight in one seamless large scale battle, online, at the same time… It’s enough to make Xbox owners cry into their now pitifully small skirmishes by comparison…
Read my full review here
Monday, February 15, 2010
Star Ocean 4: The Last Hope PS3
Star Ocean 4: The Last Hope – International Version (PS3)
Square Enix
Reviewed by Matt Adcock
Welcome to the year A.D. 2087.
In the aftermath of World War III, Earth has been ravaged and the population decimated by the highly toxic, nuclear fallout rich, environment. We certainly made a good job of screwing up our world…
"well done humans... there goes the planet!?"
So the countries that survived band together to find a solution for mankind, their solution is to form the ‘Greater Unified Nations’ and seek a new beginning - in space. And Star Ocean 4: The Last Hope – International Version is the resulting adventure games that lets you chart the future of humanity by packing a huge sword and using it on the many and various alien creatures you’ll meet as you boldly go where no man has gone before.
I say ‘man’ but step forward ‘Edge Maverick’ (obviously the love child of a brainstorming session where all the participants had seen Top Gun way too many times and kept repeating lines like: “Maverick, I’ve lost the Edge!” etc etc) – he’s the ‘edgy’ and ‘maverick’ hero of the piece. He’s a classic blond haired teen rebel from the vaults of Square Enix – as seen in many a Final Fantasy!?
Also on hand in order to offer that winning combination of cute / sexy/ kick ass girlfriend material wearing leather hot pants is Edge’s childhood friend ‘Reimi Saionji’. She’s a manga pin up girl who shoots a bow and has the camera pan over her pert buttocks whenever she wins a battle (what were the makers thinking!?). These two are soon joined by ‘Faize’, he’s a space elf / Eldar who comes on board as your party’s first magic wielder.
"Edge by name, edgy by nature"
As is the way in these games, your party continues to grow so you can utilize various skills from allies that include Bacchus D-79 (a self created cyborg),Meracle (a teenage cat-girl) and another female Lymle (she’s only 15) in your intergalactic butt kicking adventure.
You get a funky spaceship too – ‘The Calnus’ which allows you to whizz back and forth to and from various planets.
Star Ocean 4: The Last Hope is a great adventure game and draws heavily from the Final Fantasy series (both made by Squre-Enix). It was first released on the Xbox 360 but suffered from long loading times, having to swap discs between missions and some glitches… But even with all that it still went on to become the biggest selling Xbox 360 game in Japan!
"she shoots, she scores"
Square have thankfully addressed the Xbox issues with the PS3-exclusive International version which is head and shoulders better than the 360’s version.
What’s so good about Star Ocean4? Well it has a fantastic ‘active battle system’ that lets you chain both magic and physical attacks. Your attack options can also be upgraded in a similar way to White Knight Chronicles – more on that when we get the PAL version. This coupled with the cool graphics and fun plotline will see you right for many hours of happy adventuring!
Overall Star Ocean 4: The Last Hope – International Version is a life eating, highly addictive adventure that every PS3 owning adventurer should pick up. Certainly enough to keep you going until the megaton Final Fantasy XIII hits (and it’s essential PS3 exclusive companion game Final Fantasy XIII Versus).
Nice to see the PS3 being used to make Xbox360 games better – don’t settle for the gimped Xbox version, Star Ocean shines much brighter on the PS3!!
Darkmatters rating: ööööööööö (9 quality combat RPG veterans out of 10)
Useful links:
WIKI SO4
http://en.wikipedia.org/wiki/Star_Ocean_4
Buy it!?
http://www.amazon.co.uk/gp/product/B002ZNJ36W/ref=s9_simi_gw_p63_i1?pf_rd_m=A3P5ROKL5A1OLE&pf_rd_s=center-1&pf_rd_r=0QFM2MWZ8A98FBGP4KQQ&pf_rd_t=101&pf_rd_p=467198433&pf_rd_i=468294
Thursday, February 11, 2010
Darkmatters Review: Astro Boy
Astro Boy (PG)
Dir. David Bowers
Reviewed by Matt Adcock
Is it a bird? Is it a plane? No it’s Astro Boy!!
But wait, is that a couple of machines guns sticking out of his butt?
Meet Toby (voiced by Freddie Highmore), a Metro City kid who loves technology and who bothers his father - leading robotic scientist Dr. Tenma (Nicolas Cage) - into letting him witness the latest battle robot demonstration. Things go terribly wrong and Toby is killed by the robot powered by a new unstable energy ‘Red Core’.
Wracked with guilt Tenma builds a replacement robot son incorporating the polar opposite energy ‘Blue Core’ which gives the new ‘Toby’amazing Iron Man like powers. But a robot cannot take the place of a real boy and he is banished to the scrapheap old world that exists below the idyllic future metropolis of Metro City.
Thus ‘Astro Boy’ finds his identity by helping the discarded and defunct robots he meets and learns to use his amazing abilities for good. The desolate scorched Earth filled with junk is very reminiscent of world of Disney’s ‘WALL-E’ and the film similarities don’t end there. In a great homage to ‘Gladiator’ there is a fantastic heavy metal death-match where Astro Boy is pitted against various metal killing machines in an arena, only to have both his ass kicking and his ‘noble champion’ circuits tested.
Astro gets support from some new human friends too – led by Cora (Kristen Bell) who finds it hard to accept him when she learns that he’s not a ‘real boy’… There are some supporting characters too like ‘Trash Can’ who is robo dog and the Robot Revolutionary Front, who include a walking fridge.
Heavyweight vocal talent is deployed even in the minor roles including Donald Sutherland and Bill Nighy. It is this and the genuinely engaging plot that kept both my sons rapt. They had only one complaint though which was that the final additional baddie felt ‘tacked on – just to set up a sequel’ – but it’s a sequel they’d still like to see!?
Overall, the film works thanks largely to its dazzling graphic and loving nod the character’s Japanese Manga roots. Astro Boy is a rollercoaster ride that has enough action, humour and political comment to keep both kids and adults amused. This is a great all round crowd pleaser – go Astro!!
Out of a potential 5 you have to go with a Darkmatters:
öööö (4/5 machine guns out the butt)
Darkmatters quick reference guide: Action 4 / Style 4 / Babes 2 / Comedy 3 / Horror 2 / Spiritual Enlightenment 3
"plasma weaponry... always come in 'handy'"
Monday, February 01, 2010
Darkmatters Review: Edge of Darkness
Edge of Darkness (15)
Dir. Martin Campbell
Reviewed by Matt Adcock
‘He’s a cop, they killed his daughter… now he’s out for revenge’, yes Mel Gibson is back in Lethal Weapon mode after many years off, but can he still cut it?
Erm, well, here he is back on screen for the first time since 2002's ‘Signs’, Gibson plays Thomas Craven, a man driven to the ‘Edge of Darkness’ when the death of his daughter leads him into a shadowy and dangerous world of corporate corruption and political conspiracy.
Director Martin ‘Casino Royale’ Campbell takes the plot of the powerful 1985 BBC British miniseries which he also directed and transposes the action to the USA. Unfortunately it seems that lots of the tension and compelling edge of the seat action has been lost somewhere over the Atlantic. Perhaps the viewing public has lost the nuclear paranoia that gripped most of Margaret Thatcher’s Britain back in the 1980’s.
Gibson’s not-so-lethal grandad / loner cop isn’t a hero that you can easily root for – he lays on the hangdog grieving and moody countenance like his life depends on it but he doesn’t engage enough when he gets to bring the sporadic payback. The grief element is particularly badly handled – relying on warm fuzzy ghostly visions of Craven’s daughter (Bojana Novakovic) which sit uneasily with the corporate espionage plot.
“Cor blimey governor” Ray Winstone pops up as an unlikely English hitman / fixer whose loyalties are not clear and whose decisions about who to shoot are also fuzzy. At no point did I ever feel moved or thrilled, which can’t be a good thing for a ‘thriller’ – if mild boredom was what they were aiming for however, then Edge of Darkness hits the spot.
It is also hard to fully buy into the main eco-crusading message of the film when the only really exciting action moment is when Mel shoots a baddie in a car speeding towards him, causing it to plunge into (and no doubt pollute) a tranquil lake.
By the end you’ll have seen a nicely directed and competently acted tale, but that doesn’t really matter when you’re delighted to see the end credits so that you can go home. If anything, Edge of Darkness shows that Casino Royale was a rare blimp of greatness on the roadmap for mediocrity that Campbell seems determined to inflict on moviegoers. If you have to see this, it can certainly wait for DVD.
UNSEEN DELETED SCENE:
In a controversial move Craven takes a break from tracking down his daughters killers because he is told by God to warn the world that there might be a Lethal Weapon 5.
Darkmatters rating: ööööö (5 mildly mad maxes of 10)
Darkmatters quick reference guide: Action 5 / Style 6 / Babes 6 / Comedy 4 / Horror 4 / Spiritual Enlightenment 4
Dir. Martin Campbell
Reviewed by Matt Adcock
‘He’s a cop, they killed his daughter… now he’s out for revenge’, yes Mel Gibson is back in Lethal Weapon mode after many years off, but can he still cut it?
Erm, well, here he is back on screen for the first time since 2002's ‘Signs’, Gibson plays Thomas Craven, a man driven to the ‘Edge of Darkness’ when the death of his daughter leads him into a shadowy and dangerous world of corporate corruption and political conspiracy.
Director Martin ‘Casino Royale’ Campbell takes the plot of the powerful 1985 BBC British miniseries which he also directed and transposes the action to the USA. Unfortunately it seems that lots of the tension and compelling edge of the seat action has been lost somewhere over the Atlantic. Perhaps the viewing public has lost the nuclear paranoia that gripped most of Margaret Thatcher’s Britain back in the 1980’s.
Gibson’s not-so-lethal grandad / loner cop isn’t a hero that you can easily root for – he lays on the hangdog grieving and moody countenance like his life depends on it but he doesn’t engage enough when he gets to bring the sporadic payback. The grief element is particularly badly handled – relying on warm fuzzy ghostly visions of Craven’s daughter (Bojana Novakovic) which sit uneasily with the corporate espionage plot.
“Cor blimey governor” Ray Winstone pops up as an unlikely English hitman / fixer whose loyalties are not clear and whose decisions about who to shoot are also fuzzy. At no point did I ever feel moved or thrilled, which can’t be a good thing for a ‘thriller’ – if mild boredom was what they were aiming for however, then Edge of Darkness hits the spot.
It is also hard to fully buy into the main eco-crusading message of the film when the only really exciting action moment is when Mel shoots a baddie in a car speeding towards him, causing it to plunge into (and no doubt pollute) a tranquil lake.
By the end you’ll have seen a nicely directed and competently acted tale, but that doesn’t really matter when you’re delighted to see the end credits so that you can go home. If anything, Edge of Darkness shows that Casino Royale was a rare blimp of greatness on the roadmap for mediocrity that Campbell seems determined to inflict on moviegoers. If you have to see this, it can certainly wait for DVD.
UNSEEN DELETED SCENE:
In a controversial move Craven takes a break from tracking down his daughters killers because he is told by God to warn the world that there might be a Lethal Weapon 5.
Darkmatters rating: ööööö (5 mildly mad maxes of 10)
Darkmatters quick reference guide: Action 5 / Style 6 / Babes 6 / Comedy 4 / Horror 4 / Spiritual Enlightenment 4
Labels:
edge of darkness,
film review,
matt adcock,
mel gibson
Wednesday, January 27, 2010
Darkmatters living in a ModNation
"The Mario Kart Killer is almost here..."
ModNation Racers
Preview by Matt Adcock
Sony have many tasty tricks up their sleeve this year and one of their big hitters is the kart racer companion piece to Little Big Planet. ModNation Racers is Sony’s potential Mario Kart killer – sublime racing action coupled with virtually infinite customisation of your driver, car and most of all - your track.
It’s an audacious play and the big question is can United Front Games deliver a world class new racing phenomenon or are we destined for a shoddy ‘me too’ effort. Frank the Monkey sent me deep into the ModNation Racers PS3 exclusive beta with the mission to report back on what we can expect.
Read the full review here: FRANK THE MONKEY
"Disney copyright be damned!?"
"I'll tear you lap-time apart..."
Tuesday, January 26, 2010
Darkmatters Review: Brothers
Brothers (15)
Dir. Jim Sheridan
Reviewed by Matt Adcock
War destroys humanity, it changes people and creates victims on both sides - many seen but lots of others hidden. Brothers might be a remake of the 2004 Danish film ‘Brødre’ but it is still very timely given the multiple fronts being fought in the ‘war on terror’.
Marine captain Sam (Toby ‘Spiderman’ Maguire) has a beautiful wife, Grace (Natalie Portman) and two smashing young daughters (excellent performances from Bailee Madison, Taylor Geare). But Sam is a dedicated soldier who loves nothing better than to be with his men in Afghanistan that he says ‘feels like home’.
You just know that things are going to go bad in Sam’s fourth tour of duty and before you can say “wouldn’t it be awful if he got shot down and presumed dead” his family is being informed that he's dead after his helicopter is shot down over enemy ground. Sam however isn’t dead, he and a fellow soldier are being held prisoner by the Taliban who force them over the edge with their evil torture techniques.
In the midst of this trauma Sam’s criminal brother Tommy (Jake Gyllenhaal) freshly out of the slammer comes to be a the shoulder that Grace cries on having to deal with the loss of her husband. The fall out of Sam’s ‘death’ leaves deep scars on the family but brings some redemption for Tommy in the eyes of his ex military father Hank (Sam Shepard),
This is highly charged emotional material which is developed slowly allowing the characters to be fleshed out before throwing in the incendiary grenade twist of Sam being rescued and returning home. Things disintegrate into a spiral of post-traumatic stress disorder induced jealousy and tension which threatens to destroy the family. Sam just isn’t the same person he was when he left.
All the actors go about this with the sort of gusto that you only tend to find in the run up to awards season. The performances from child actors are amazing - exuding a powerful mix of joy mixed with anxiety as they struggle to accept their dad back in his fragile, twitchy and haunted post war state.
Brothers is a compelling watch, but don’t go expecting it all nicely tied up by the end – director Sheridan has enough respect for the harsh subject matter not to proffer a twee solution to such a harsh reality.
UNSEEN DELETED SCENE:
Sam gets bitten by a radioactive spider, develops superpowers and goes straight back to Afghanistan - and defeats the Taliban single handedly... whilst Grace and Tommy get together whilst he's away...
Darkmatters rating: ööööööö (7 psycho soldiers out of 10)
Darkmatters quick reference guide: Action 6 / Style 7 / Babes 8 / Comedy 6 / Horror 8 / Spiritual Enlightenment 4
Dir. Jim Sheridan
Reviewed by Matt Adcock
War destroys humanity, it changes people and creates victims on both sides - many seen but lots of others hidden. Brothers might be a remake of the 2004 Danish film ‘Brødre’ but it is still very timely given the multiple fronts being fought in the ‘war on terror’.
Marine captain Sam (Toby ‘Spiderman’ Maguire) has a beautiful wife, Grace (Natalie Portman) and two smashing young daughters (excellent performances from Bailee Madison, Taylor Geare). But Sam is a dedicated soldier who loves nothing better than to be with his men in Afghanistan that he says ‘feels like home’.
You just know that things are going to go bad in Sam’s fourth tour of duty and before you can say “wouldn’t it be awful if he got shot down and presumed dead” his family is being informed that he's dead after his helicopter is shot down over enemy ground. Sam however isn’t dead, he and a fellow soldier are being held prisoner by the Taliban who force them over the edge with their evil torture techniques.
In the midst of this trauma Sam’s criminal brother Tommy (Jake Gyllenhaal) freshly out of the slammer comes to be a the shoulder that Grace cries on having to deal with the loss of her husband. The fall out of Sam’s ‘death’ leaves deep scars on the family but brings some redemption for Tommy in the eyes of his ex military father Hank (Sam Shepard),
This is highly charged emotional material which is developed slowly allowing the characters to be fleshed out before throwing in the incendiary grenade twist of Sam being rescued and returning home. Things disintegrate into a spiral of post-traumatic stress disorder induced jealousy and tension which threatens to destroy the family. Sam just isn’t the same person he was when he left.
All the actors go about this with the sort of gusto that you only tend to find in the run up to awards season. The performances from child actors are amazing - exuding a powerful mix of joy mixed with anxiety as they struggle to accept their dad back in his fragile, twitchy and haunted post war state.
Brothers is a compelling watch, but don’t go expecting it all nicely tied up by the end – director Sheridan has enough respect for the harsh subject matter not to proffer a twee solution to such a harsh reality.
UNSEEN DELETED SCENE:
Sam gets bitten by a radioactive spider, develops superpowers and goes straight back to Afghanistan - and defeats the Taliban single handedly... whilst Grace and Tommy get together whilst he's away...
Darkmatters rating: ööööööö (7 psycho soldiers out of 10)
Darkmatters quick reference guide: Action 6 / Style 7 / Babes 8 / Comedy 6 / Horror 8 / Spiritual Enlightenment 4
Labels:
Brothers,
film review,
matt adcock,
Natalie Portman
Sunday, January 17, 2010
Darkmatters Review: The Book of Eli
The Book of Eli (15)
Dir. The Hughes Brothers
Reviewed by Matt Adcock
It’s the near future yet again and we’ve managed to wreck the world thanks to massive war which pretty much wiped out civilisation and left us in a Mad Max style wild wasteland. The law has collapsed, bandits rule the roads ruthlessly preying on travellers – and cannibalism is widespread in a world where food and water are now scarce.
Through this apocalyptic future comes a traveller by the name of Eli (a noble turn from Denzel Washington). Eli is a man on a mission to reach the West Coast of America, a trek that he has been on for 30 years, he carries with him a treasured possession – the very last copy of the bible. As a fellow bible carrier (on my iPhone at least) and fully signed up believer, The Book of Eli’s reverence for the Good Book is an interesting plot device.
It’s extremely rare to find a big budget Hollywood action film that takes religion quite as seriously as this and yet directors the Hughes Brothers have created a violent epic centred around a devout man of faith. Eli’s odyssey sees him having to fight, kill and kick copious amounts of ass, especially when he comes up against the evil Carnegie (a snarling Gary Oldman) who is the self appointed leader of a small west wild style town. Carnegie is a seeker of books – not just any books either – as demonstrated when one of his bandit biker gangs brings him a collection including ‘The Da Vinci Code’ which he immediately has burnt. He knows that the bible alone has the words which can sway people’s hearts and he wants to use it to bring order and control to his populace.
Caught up in the ensuing power struggle are Carnegie's daughter Solara (a spirited Mila Kunis) and her mother Claudia (Jennifer Beals) who both suffer at her deranged father's ways.
The gritty plot unfolds at a pleasing pace, building up to and beyond the climatic showdown between Eli and Carnegie. Action fans are well catered for with frequent burst of sensational ultra-violence, yet the film as a whole has a moral core message that will challenge all who see it.
The cinematography and look of the film are absolutely superb, the apocalypse has simply never looked so good, all shot in a super desaturated bleached palette that really sets this apart from inferior ‘near future’ efforts. Pick of the scenes for me was a five on one fight in shot in the silhouette of a highway underpass.
The Book of Eli is the first ‘must see’ action film of 2010, The Hughes Brothers have, as the Good Book might say, ‘fought the good fight, finished the race and kept the faith’ and have answered the prayers of action film fans.
For gamers, this is the nearest thing yet to a movie adaptation of Fallout 3 or Borderlands...Highly recommended viewing.
UNSEEN DELETED SCENE:
In a twist that didn't make the final cut... The Book of Eli turns out not to be the bible but the novel 'Darkmatters' - and it saves the world!?
Darkmatters rating: ööööööööö (9 righteous road warriors out of 10)
Darkmatters quick reference guide: Action 9 / Style 9 / Babes 7 / Comedy 6 / Horror 6 / Spiritual Enlightenment 10
"The righteous shall kick the ass of the unrighteous"
Labels:
book of eli,
denzel washington,
hughes brothers,
matt adcock
Thursday, January 14, 2010
Darkmatters Review: Daybreakers
Daybreakers (15)
Dir. Michael Spierig and Peter Spierig – also known as ‘The Spierig Brothers’
Reviewed by Matt Adcock
Welcome to a bleak near future… In under ten years – 2019 to be exact - a plague will have transformed pretty much every human into a vampire. Good news for Twilight fans perhaps but not for anyone with an once of pride in humanity.
Not everyone is thrilled about their new blood sucking lifestyle, especially blood specialist Edward Dalton (Ethan Hawke), who is working on a blood alternative for vampires to drink. This is an urgent task as nearly all the humans left alive have been rounded up and enslaved in massive ‘Matrix’ like farms where their blood is harvested and sold on.
The nasty vampire CEO of this blood channelling operation is Charles Bromley (Sam Neill) who has a heavily armed private army commissioned to hunt down and capture any rogue humans still at large. One of most loyal soldiers is Edward’s brother Frankie (Michael Dorman) who takes relish in tracking down humans and turning them in.
As the human blood supply dwindles, a terrible side effect of blood withdrawal begins to kick in on those vamps not rich enough to afford their shot of human life juice which is rationed in ‘coffee’. Blood deprivation you see causes vampires to regress into bat-winged mutant creatures that attack indiscriminately and pose a threat to whole civilised vampire society.
Step into the fray the last human resistance under the leadership of Lionel 'Elvis' Cormac (Willem Dafoe) – their ‘cure’ for vampires is to blow them away with crossbow stake guns.
Daybreakers really wants to be a hip cross between The Matrix and Underworld but alas the action on offer is fairly timid and predictable fare. Sure the vampires explode with startling gore soaked flashes but there is nothing groundbreaking here. The only thing that really impressed were the cool vampire friendly cars fitted with darkened windows and cameras that allow the creatures of the night to drive around in the sunlight.
Unfortunately directors The Sprierig Brothers fumble what could have been a great new action franchise and botch the climax so badly that when the door if very obviously left open for a sequel – it is the scariest moment of the film.
Daybreakers might look the part and delivers some ok vampire sci-fi action in places but the total is less than the sum of its parts. It’s never a good sign when one of the trailers before a film is much much more exciting than the main feature – the trailer in question was for ‘The Book of Eli’…
Darkmatters rating: ööööö (5 exploding vampire mutants out of 10)
Darkmatters quick reference guide: Action 6 / Style 6 / Babes 6 / Comedy 6 / Horror 7 / Spiritual Enlightenment 2
Dir. Michael Spierig and Peter Spierig – also known as ‘The Spierig Brothers’
Reviewed by Matt Adcock
Welcome to a bleak near future… In under ten years – 2019 to be exact - a plague will have transformed pretty much every human into a vampire. Good news for Twilight fans perhaps but not for anyone with an once of pride in humanity.
Not everyone is thrilled about their new blood sucking lifestyle, especially blood specialist Edward Dalton (Ethan Hawke), who is working on a blood alternative for vampires to drink. This is an urgent task as nearly all the humans left alive have been rounded up and enslaved in massive ‘Matrix’ like farms where their blood is harvested and sold on.
The nasty vampire CEO of this blood channelling operation is Charles Bromley (Sam Neill) who has a heavily armed private army commissioned to hunt down and capture any rogue humans still at large. One of most loyal soldiers is Edward’s brother Frankie (Michael Dorman) who takes relish in tracking down humans and turning them in.
As the human blood supply dwindles, a terrible side effect of blood withdrawal begins to kick in on those vamps not rich enough to afford their shot of human life juice which is rationed in ‘coffee’. Blood deprivation you see causes vampires to regress into bat-winged mutant creatures that attack indiscriminately and pose a threat to whole civilised vampire society.
Step into the fray the last human resistance under the leadership of Lionel 'Elvis' Cormac (Willem Dafoe) – their ‘cure’ for vampires is to blow them away with crossbow stake guns.
Daybreakers really wants to be a hip cross between The Matrix and Underworld but alas the action on offer is fairly timid and predictable fare. Sure the vampires explode with startling gore soaked flashes but there is nothing groundbreaking here. The only thing that really impressed were the cool vampire friendly cars fitted with darkened windows and cameras that allow the creatures of the night to drive around in the sunlight.
Unfortunately directors The Sprierig Brothers fumble what could have been a great new action franchise and botch the climax so badly that when the door if very obviously left open for a sequel – it is the scariest moment of the film.
Daybreakers might look the part and delivers some ok vampire sci-fi action in places but the total is less than the sum of its parts. It’s never a good sign when one of the trailers before a film is much much more exciting than the main feature – the trailer in question was for ‘The Book of Eli’…
UNSEEN DELETED SCENE:
Denzel Washington bursts in and takes out both the vampires and the bumbling heroes - smiling his smug smile in the knowledge that his Book of Eli is much better than this mess.
Denzel Washington bursts in and takes out both the vampires and the bumbling heroes - smiling his smug smile in the knowledge that his Book of Eli is much better than this mess.
Darkmatters quick reference guide: Action 6 / Style 6 / Babes 6 / Comedy 6 / Horror 7 / Spiritual Enlightenment 2
"The cars are the stars!"
Tuesday, January 05, 2010
Darkmatters Review: Spread
Spread (18)
Dir. David Mackenzie
Reviewed by Matt Adcock
Spread sees Ashton Kutcher strut his stuff as a ‘himbo’ hustler named Nikki working the well pampered and preserved middle aged women of L.A. Nikki gives these ladies company and sexual gratification in return for a place to live and the use of credit cards… Everything seems to be funky (if utterly morally devoid) for him once he shacks up with his latest conquest / scam victim Samantha (Anne Heche who absolutely sizzles here).
But a chance encounter with hot waitress Heather (Maregarita Levieva) throws Nikki into a state of uncertainty as he might just have actually fallen in love!? From then on the film gallops towards what would normally be a sickly sweet ending with our lovelorn hero racing across the country to New York with a wedding ring in order to try and make a life changing commitment to Heather. British director David ‘Hallam Foe’ Mackenzie has other ideas however and to his credit Spread ends up being a refreshing alternative take on the usual Hollywood depiction of course of true love. Could it be that the ultimate ‘player’ is about to get played himself?
Spread is a powerful film that makes a valid point about the repercussions of living without a moral compass, and how an existence of squalid, loveless sex can turn round and bite you on the bum when looking for real love. The 18 rating is justified by the overload of nudity here – especially from Anne Heche who appears to be vividly working her way through the Karma Sutra on screen.
This certainly isn’t a feel good movie, or a wise choice for anyone dating an older woman. Spread is worth seeing though if you’re not easily offended and looking for an antidote to the many weak romantic comedies out there that peddle their ‘happy ever after’ messages.
"Anne Heche - in 'sizzle bikini' mode"
Nikki can't take the rampant hedonistic orgy lifestyle any more and decides to go back to his 'sugar mummy' - an amusing cameo from Demi Moore!
Darkmatters rating: ööööööö (7 throbbing himbos out of 10)
Darkmatters quick reference guide:
Action 6 / Style 7 / Babes 8 / Comedy 6 /Horror 5 / Spiritual Enlightenment 3
Friday, January 01, 2010
Darkmatters Top Films 2010
Darkmatters top film tips for 2010
2009 was a solid year for cinema releases (check Matt Adcock’s top ten of 2009) but 2010 already looks to be packing some very very cool films.
Here are my picks as to what looks like being worth seeing – obviously this isn’t an all encompassing list but these films are bleeping pretty loud already on my radar:
January picks
You want to see Denzel Washington kick serious ass in a film whose makers described its action thus… ‘Man on Fire’ is a mere taster compared to the righteous vengeance he (Washington) rains down on the scum in this film’? Yeah, me too!!
Based on the best selling book by Alice Sebold, The Lovely Bones is the story of a 14-year-old girl who is murdered by her neighbour. Now in Heaven she gets to follow the aftermath, sure it doesn’t sound like a lot of fun but Peter ‘Lord of the Rings’ Jackson is directing and hopes are high!
George Clooney plays Ryan Bingham - a corporate downsizing expert (i.e. he fires people for a living) whose cherished life on the road is threatened just as he is on the cusp of reaching ten million frequent flyer miles. From the director of Juno, this looks ace!
February picks
Martin Scorsese directs this sanity shattering horror / thriller about a U.S. marshal investigating the disappearance of a patient from Boston 's Shutter Island Ashecliffe Hospital . Cue dangerous nutters on the loose in the middle of a storm… clichéd for sure but if anyone can make this work I reckon Scorsese can.
Percy Jackson & the Lightning Thief
This one was nominated by my sons who think that the gods of Mount Olympus vs high school student Percy Jackson (who might just be the son of a god) plot might be cool. Who has stolen Zeus' lightning bolt? Can director Chris Columbus contain his sentimental urges for long enough to make a good film?
Darkmatters favourite Bruce Willis teams up with Tracy Morgan under the direction of Kevin ‘Clerks’ Smith – I think everyone should want to see A Couple of Dicks in 2010 – even if it will be released in the cop out name of ‘Cop Out’…
March picks
Sam Worthington steps up as Perseus – tangling God of War style with Ralph Fiennes’ Hades, Liam Neeson’s Zeus and Gemma Arterton’s eye catching Io.
I can still remember seeing the original 1981 version as a 10 yr old and proclaiming it to be awesome… so no pressure then on the new version!
Tim Burton brings the oddness to this new retelling where 19-year-old Alice (Mia Wasikowska) returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.
Matt Damon goes covertly rogue after faulty intelligence about Weapons on Mass Destruction in an unstable region brings about bad things… Director Greengrass is good at getting Damon to do action (Bourne Supremacy etc) so this could be a decent military thrill ride.
April picks
After being betrayed and left for dead, members of a CIA black ops team root out those who targeted them for assassination… The Losers is based on one of my favourite graphic novels and if they keep the ‘A-Team only darker’ feel to this it could be a winner!?
Alexandre Aja – the once very promising horror director of Haute Tension (Switchblade Romance) takes the reigns for this fishy slaughter-athon that looks to be gross out fun for anyone wanting to see nubile bathers mown to pieces by razor toothed fishes…
May picks
Jake Gyllenhaal brings the platform jumping, hack n slash fighting Prince to life on the big screen from his origins on the PlayStation. Expect flashy action but little plot.
“Everything I do, I do it for you…” no more as Russle Crowe steps into the green tights (kidding) to add to the Robin Hood lore thanks to Ridley Scott. This just could be Gladiator 2!
Top music video director Samuel Bayer gets stuck into this ‘reimagining’ of classic ‘80s horror icon Freddy Krueger, a serial-killer who wields a glove with four blades embedded in the fingers and kills people in their dreams. Should be worth staying awake for!
June picks
Erm… Footloose?
- - - - -
Okay so I’m running low on films with confirmed release dates – but there are some absolute corkers still TBC / in the later part of ’10:
If you want action…
The Expendables -
With the truly mouth watering prospect of action hardcore star: Sylvester Stallone, Jet Li, Jason Statham, Dolph Lundgren, ‘Stone Cold’ Steve Austin, Mickey Rourke and Arnold Schwarzenegger all signed on… this is going to be high on body count!
With the truly mouth watering prospect of action hardcore star: Sylvester Stallone, Jet Li, Jason Statham, Dolph Lundgren, ‘Stone Cold’ Steve Austin, Mickey Rourke and Arnold Schwarzenegger all signed on… this is going to be high on body count!
The A-Team -
“I love it when a plan comes together!” Liam Neeson steps up to be Hannibal and director Joe ‘Smoking Aces’ Carnahan should ensure that this remake is a high octane affair. I used to love the A-Team when I was at school, please God don’t screw this up!
“I love it when a plan comes together!” Liam Neeson steps up to be Hannibal and director Joe ‘Smoking Aces’ Carnahan should ensure that this remake is a high octane affair. I used to love the A-Team when I was at school, please God don’t screw this up!
If you want funny…
Paul -
The genius that is the partnership of Simon Pegg and Nick Frost with added Seth Rogen = comic event of ’10 for sure!! Two comic book geeks travel across theUS with a real life alien from the director of Superbad – yes please!
The genius that is the partnership of Simon Pegg and Nick Frost with added Seth Rogen = comic event of ’10 for sure!! Two comic book geeks travel across the
If you want fantasy…
Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
Wizarding mischief as Harry gets ready to face off with Voldermort in part 2 (which let’s face it, is the only Harry Potter film you’ll ever need really).
Oh and that Twilight franchise sees ‘Eclipse’ if that’s your sort of thing!?
More for all ages?
Shrek Ever After, Toy Story 3 and Diary of a Wimpy Kid are my kids’ picks that they are looking forward to.
Finally – Darkmatters’ top 3 most anticipated films of the year – two of which star the same girl!?
Dave Lizewski is an unnoticed high school student and comic book fan with a few friends and who lives alone with his father. His life is not very difficult and his personal trials not that overwhelming. However, one day he makes the simple decision to become a super-hero even though he has no powers or training. Dave isn't the only vigilante in town, though. The father-daughter team of Big Daddy (Nicolas Cage) and Hit Girl (Chloe Moretz) are already on the prowl. Whereas Dave is an amateur, Big Daddy and Hit Girl are like a paramilitary version of Batman and Robin. Hit Girl is the assassin that Natalie Portman could have become in ‘Leon ‘but with a more X-rated mouth!
Hopefully this American remake of my ‘film of 2009’ Let The Right One In can capture the same haunting and provocative atmosphere. The plot sees alienated 12-year-old Owen (Smit-McPhee) befriend a mysterious young newcomer Abbey (Chloe Moretz) in his small New Mexico town and discovers an unconventional path to adulthood. The film is based on the bestselling vampire novel, Lat den Ratte Komma In, by Swedish author John Ajvide Lindqvist.
Bringing the heavy metal action this summer will be Iron Man 2 – following up the stylish first film. This time we’ll have Robert Downey Jr. taking on Mickey Roukes’ WhipLash. Nick Fury (Samula L Jackson), War Machine (Don Cheadle) and Black Widow (Scarlett Johansson) add to the comic book fun!
PHEW - that's it for now!!
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