Darkmatters Review:Twilight Saga Eclipse

The Twilight Saga: Eclipse (12)

Dir. David Slade

Reviewed by Matt Adcock

A life strangling Twilight falls on the cinema again this week but there is a glimmer of light in the up until now turgid and overly hyped femi-centric swoon-em-up vampire / human / wolf love triangle.

Following the forgettable New Moon, Director David ‘I used to be credible – no really I made Hard Candy and 30 Days of Night’ Slade does manage to bring at least five minutes of action to this third but unfortunately not final entry in the Twilight Saga.

For those who aren’t planning to see Eclipse i.e. most blokes out there, here is a quick overview:
Bella (Kristen Stewart), meets sparkly skinned vampire Edward (Robert Pattinson) and falls in love, but she’s confused when she meets hunky werewolf Jacob (Taylor Lautner). Who does she love more from these two make believe mortal enemies? Well after two films of deliberating she’s not really any the wiser this time and indeed snogs them both again just to try and help make her mind up. Cue endless heart-searching, swooning, long lingering looks and cheesy dialogue including the classic line “I am hotter than you” from warm blooded Jacob to undead and hence ‘cold’ Edward.

"are you thinking about wolfing, is that like dogging?"

The Twilight series is a massive phenomenon, tapping into the romantic longings of teen girls the world over, and it’s not only young girls as my schoolteacher cousin Anne is a signed up member of the ‘Team Edward’ fanclub. The melodrama on offer in this third movie has been ramped up to scary proportions – which is just as well as the evil baddie vampire Victoria (Bryce Dallas Howard) is about as scary as a teletubby. Vic is still annoyed at Bella and Edward for killing her brother James in the first film and she recruits an ‘army’ of newbie vampires, (more powerful and dangerous than any vamp whose been undead more than a year apparently). With their love interest in potential peril Edward and Jacob must unite their vampire / werewolf clans to fight side by side against this new menace.

I say ‘menace’ but come the big showdown the newbie vamp army looks for all the world like a bunch of random charity collection muggers and their ‘threat’ is laughable when the big butch wolves get their teeth into them. Don’t worry it’s all bloodless, the only sight of any blood is when Bella intentionally pricks her finger and wipes in on some bushes to lead a scent trail… This goes against everything most vampire or werewolf films normally deliver (and Director Slade did so well in his very bloody excellent 30 Days of Night vampire tale).

"ok - let's split up and raise some cash for good causes"

But I fear I’m not the target market for this soppiest of ‘horror’ films – it isn’t that Eclipse is a terrible movie, it’s just that it’s not exciting enough and the truly scary things is that there are still two more books to be made into films!!

UNSEEN DELETED SCENE:

The vampires from 30 Days of Night turn up and beat the crap out of Edward for being such a wuss...

Darkmatters rating: öööööö (6 toothless vampires out of 10)

Darkmatters quick reference guide: Action 5 / Style 6 / Babes 7 / Comedy 5 / Horror 5 / Spiritual Enlightenment 1

Check out another review here (Spirituality)

Darkmatters Review: Shrek Forever After (The Final Chapter)

Shrek Forever After (PG)

Dir. Mike Mitchell

Reviewed by Matt Adcock

This is the end of the road, the last hurrah, the green stops here – yes, it’s finally ogre… The good news is that Shrek Forever After (also known as Shrek: The Final Chapter on some of the posters) brings the much loved and massively box-office friendly Shrek series to a decent end.

New the Shrek-verse is director Mike ‘ Sky High’ Mitchell and he takes Shrek (Mike Myers) to a place that older viewers will be able to relate to – his midlife crisis. Think ‘American Beauty’ just bigger and greener with our hero feeling trapped in his ‘perfect’ marriage to the feisty Fiona (Cameron Diaz). Shrek longs for past days when he was feared by the townsfolk and free to terrorise, mud bath and generally exercise his inner ogre at will. The day to day grind of a highly domesticated existence sees Shrek make a foolhardy magical deal with the devious Rumpelstiltskin (Walt Dohrn), who has a longstanding grudge against him.

The alternate reality in which Shrek finds himself is a place where he never met Fiona, doesn’t know Donkey (Eddie Murphy) and hasn’t settled down. To make matters worse Stitskin has made himself king of Far Far Away and if Shrek doesn’t find a way to make Fiona fall in love with him again before sunrise – his very existence will be deleted from history.
So with the clock ticking and his former allies either not knowing him or in Puss in Boots’ (Antonio Banderas) case – so fat and lazy as to rendered almost useless – things look bleak.

Could Shrek being going out like a wuss after all?
Rumpelstiltskin makes a good short notice baddie and the animation is as great as it ever was, this time in 3D too which works well. Shrek Forever After rollicks along at a good pace and is certainly better than the Shrek The Third, but this isn’t a classic and doesn’t rouse the audience to a fever pitched send off for the big green hero.

There are some good laughs along the way, my pick being an annoying kid called ‘Butterpants’ who dogs Shrek at a party continually requesting the ogre to “Do the roar!” and is hard to impress.
Shrek has the distinction of being the biggest grossing animated series of films ever (untouched even by the mighty Toy Story flicks) – this would be a good place to end now before the law of decreasing returns bites too hard.

UNSEEN DELETED SCENE:

Woody from Toy Story gets transported to Far Far Away and has to team up with Shrek to fight off Monsters vs Aliens...

Darkmatters rating: ööööööö (7 solid baby ogres out of 10)

Darkmatters quick reference guide: Action 7 / Style 7 / Babes 3 / Comedy 8 / Horror 5 / Spiritual Enlightenment 4

Check out another review here (Den of Geek)

Darkmatters downloads Mass Effect 2 Demo

Play The Mass Effect 2 Demo



Experience over an hour of action-packed and immersive gameplay from Mass Effect 2.

As Commander Shepard, you must survive and escape from a Cerberus space station under siege. Then play through an intense mid-game mission where you must rescue an infamous convict from an impenetrable prison ship. Once you have completed the demo, you can carry over your progress and character into the full game! The demo also includes the Mass Effect "Story So Far" video, detailing the events of Mass Effect 1 narrated by Martin Sheen.

Available to download now on X360 & PC.

Darkmatters hearts Crackdown 2

Crackdown 2

The sequel to the award-winning vertical-world adventure, Crackdown 2 is the ultimate open-ended world action experience, only available on Xbox 360® (which is a shame because Darkmatters is a PS3 loving site and having played this we'd just love Microsoft to send us a review Xbox360 - who knows what might happen!?).

Anyway, the game lets you be judge, jury, and executioner for a huge, fully explorable city. Crackdown 2 takes multiplayer gaming to unprecedented levels for the ultimate co-op and competitive multiplayer experience, providing you and your friends with the complete freedom to explore, destroy, and play your way as you restore justice and peace to Pacific City - by any means necessary.

Watch the game in action:



Find out more here: http://www.xbox.com/en-GB/games/c/crackdown2/

Buy it:

Darkmatters hearts Tiger Woods PGA '11

Tiger Woods PGA '11 - Can you bring the Ryder Cup Home?

Playstations at the ready - Tiger Woods blasts back with his slickest game yet.

Released 2nd July... Hey that's today!! You can now select a team and square off to try and bring home The Ryder Cup in Tiger Woods PGA TOUR 11 on all console platforms - but let's face it, this year the only console to buy this on is the PS3 because it will be MOVE compatible as when Sony's High Definition motion control hits in a couple of months. 

The Ryder Cup is one of the last great sporting events to be founded in prestige rather than prize money. Being able to choose from the U.S. or European squad and participate in the various competition formats – foursomes where players hit alternate shots, fourballs and singles which traditionally bring the biennial event to a close with players going head to head is what sets the '11 game apart from last year's smooth effort.

When playing The Ryder Cup mode offline, you also have the option to swap matches, thus giving you the ultimate control over the outcomes of other matches...

Check the video below:

Darkmatters Review: Get Him To The Greek

Get Him To The Greek (15)

Dir. Nicholas Stoller

Reviewed by Matt Adcock

It seems old rockers are always up for a comeback gig, as a Carter USM fan I’ve been to at least three of their ‘last ever gigs, ever’… Get Him To The Greek is about the comeback gig of fictional Brit rocker Aldous Snow (Russell Brand) – you might have already met him in 2008’s Forgetting Sarah Marshall.

Except that drug addled Snow isn’t convinced that he’s even going to do the show at the famous Greek Theatre in L.A. and that is where young gun studio exec Aaron Green (Jonah Hill) comes in. Tasked by his crazed boss Sergio (a hilarious turn from P. Diddy / Sean Combs) with flying to London and escorting Snow to the make or break gig, Green is on a mission.

With the clock ticking Green has to deal with freak outs, drug smuggling, random groupie sex, copious drinking and various brawls – plus Snow’s mood swings in order to actually ‘get him to the Greek’… It’s by no means certain that the sold out gig will have the star perform – especially as he decides to take in random diversions en route like stopping to see his estranged father in Las Vegas.

Yes we’re deep in Judd ‘Superbad’ Apatow gross out comedy territory here and while he produces, Brand laps up the chance to strut his walking sex machine rocker stuff on the big screen again. I can take or leave Russell Brand and my expectations were set low for this (was only mildly fond of Forgetting Jessica Marshall) but Get Him To The Greek was both funnier and all round more watchable than expected.

There are some heart searching elements of the plot that delve beneath Snow’s showman persona and reveal his lonely dissatisfaction with the rock and roll lifestyle. Deep down all he really wants to get back together with his hot ex, Jackie Q (Rose ’28 Weeks Later’ Byrne). Jackie Q is a Lady Ga Ga like pop singer with hilariously filthy videos to match.

As seems to the be norm for comedies now – Get Him To The Greek is foul mouthed and leaps into sexual and bodily function jokes all guns blazing. This isn’t a movie to take your mum to (even if she is a Russell Brand fan).

Overall though – if you have a tolerance for crude humour, this Greek rascal certainly delivers lots of laughs and even manages to be a semi life-affirming flick too.

UNSEEN DELETED SCENE:

An x-rated cut scene was muted where Brand meets Nia Vardalos from My Big Fat Greek Wedding and double teams her with  Sean Combs...

Darkmatters rating: öööööööö (8 lite rom-com shootouts out of 10)

Darkmatters quick reference guide: Action 7 / Style 6 / Babes 8 / Comedy 8 / Horror 5 / Spiritual Enlightenment 1

Check out another review here (Sukhdev Sandhu)

Darkmatters Review: Killers

Killers (12a)

Dir. Robert Luketic

Reviewed by Matt Adcock

You see that guy? He’s my neighbour, you know the type, the one who always nods to you as you leave for work? He seems like a friendly sort, often waving or giving a warm smile… What if I told you he was actually a planted ‘sleeper’ agent – placed into my life in order to kill me should I become a threat to the system?

I know that might sound a bit far fetched but then I guess I ought to tell you that I’m not just a film reviewer but actually a professional killer who is trying to ‘get out’ of the business and lead a more ‘normal’ life with my family…

It isn’t easy existing like this – anyone I know could be standing by, just waiting for the order to take me out. Would make a good plot for a film though!?

Killers is that film – my role’s character Spencer is played by the Ashton (still trading on his cute looks) Kutcher, he’s a contract killer, one of the best covert assassins operating for a shady US government dept. His dream of settling down in the suburbs appears to have come true when he meets the lovely and newly single Jen (Katherine Heigl) and the two promptly fall in love.

They make a hot couple notching up several years of married bliss (despite her meddling parents – her dad played brilliantly by Tom Selleck who hasn’t been this good since Magnum). Spencer believes he has successfully hidden his violent past but one day a note from his old boss puts him in danger and it catches up with him fast.

"who's cuter?"

Director Robert ‘The Ugly Truth’ Luketic doesn’t go for classic or cutting edge films – what he does deliver are likeable slabs of disposable fun. Killers is funny, a kind of ‘rom-gun-com’ in the vein of Mr & Mrs Smith and despite Cineworld Luton attendant Paul looking dubious when I checked in – I enjoyed it much more than I though I would.
Ashton is on good form here, he makes a likeable lead and surprisingly convincing action hero, he also rustles up some good chemistry with Heigl who adds another romantic comedy to her growing list.

2010 is serving up some good date movies which add action / violence to keep the alpha males happy. Good times.

UNSEEN DELETED SCENE:

Kutcher and Heigl cross paths with Pitt and Jolie from Mr & Mrs Smith and have to fight to the death with automatic weaponry...


Darkmatters rating: ööööööö (7 lite rom-com shootouts out of 10)

Darkmatters quick reference guide: Action 8 / Style 6 / Babes 8 / Comedy 7 / Horror 4 / Spiritual Enlightenment 2


Check out another 'less positive' review here (MOVIE CYNICS)

Darkmatters hearts PlayStation MOVE

Prepare for the future - it hits in September!!

by Matt Adcock

PlayStation Move kicks the ass of all other motion control options...

You have to love e3 - some of the biggest games get announced (Sony rocked up with a new Twisted Metal, Portal 2 and the excellent looking Sly Cooper HD package last night).

SCEE however also announced that it will release the PlayStation®Move motion controller for PS3 in September... And it looks the absolute business!!

The new PlayStation®Move navigation controller, can be used alongside the motion controller for intuitive navigation of in-game characters and objects, will also be available on day one. THe Legend that is Kevin Butler was on hand to mock Xbox 360's Kinect - pointing fingers as a gun? What is this primary school??

LOL - but Sony don't need to tell the gun nut crowd that nobody will want to play a motion gun game that has no trigger to pull... And with more than 16 dedicated titles for PlayStation Move available on the day of launch and 40 more slated to hit throughout the holiday season, both casual gamers and hardcore gamers will have plenty of reasons to clear their coffee tables and immerse themselves in the most precise and ultra sensory gaming experience ever.

PlayStation Move titles showcased at E3 include:

Sorcery
SingStar Dance
Heroes on the Move (working title)
SOCOM 4 - bring those trigger fingers!
Heavy Rain Move Edition
echochrome ii
EyePet
Sports Champions
Tumble
Beat
Time Crisis: Razing Storm
Toy Story 3
Tiger Woods PGA Tour 11

PlayStation Move which is out in the UK on September 17th.

Prices are as follows:

- PlayStation Move Pack (includes PlayStation Move controller, the PlayStation Eye camera, the starter disk which includes the games Beat the Sketcher, Blocks and echochrome 2) - £49.99

- The PlayStation Move controller on its own - £34.99

- The Playstation Eye camera on its own - £24.99

- The PlayStation sub-controller on its own - £24.99

Darkmatters Review: Brooklyn's Finest

Brooklyn's Finest (18)

Dir. Antoine Fuqua

Reviewed by Matt Adcock

Today we’re riding with Brooklyn's Finest, these are the cops who police the New York’s meanest streets, who put themselves in harm’s way and who deal with the scumbags that threaten to overrun the city.

First up is Sal (Ethan Hawke) a narcotics detective who is swimming in debt and trying to find a way to finance a new house for his sick wife and ever growing family. Next up is Eddie (Richard Gere), he’s a browbeaten cop with over 20 years service who is marking time in his final week before retirement. Finally we have Tango (Don Cheadle), who is deep undercover in a drug dealing operation, so deep undercover that he might be losing sight of who the good guys are.

The triple storylines add different dimensions to the dilemmas faced by different sections of Brooklyn’s Law Enforcement. Many of the plot devices are clichéd and have been seen before (the temptation of dirty money, the feeling of helplessness in the face of rampant crime levels etc) but Brooklyn’s Finest is boosted by fantastic performances from the three leads.

Director Antoine ‘Training Day’ Fuqua has a talent for getting the best from his cast and here he even delivers a cracking comeback turn from Wesley Snipes as Caz – a drug dealer who has turned his life around whilst in prison. Gere hasn’t been this good for a long time and his relationship with ‘heart of gold’ hooker Chantel (Shannon Kane) is very moving.

Themes such as redemption and retribution loom large and overshadow all three plotlines. These ‘finest’ cops don’t necessarily live up to the title, as each is struggling to make sense of the brutal and shifting environment they operate in. There are some great ‘what would you do’ moments that will have you thinking long after the credits roll.

Brooklyn’s Finest actually feels like a kind of sequel to the Oscar winning Training Day – there is serious bloodshed, tragedy and much macho brooding. It all looks good, shot through with grimy tints and high contrast lighting – imagine The Wire with a bigger budget…

They say that every man has a moment of truth but this is war… This is Brooklyn. So if you’re in the mood for some crunching cop action that will hook you in all the way to a heartbreaking finale, Brooklyn’s Finest is the film you’re looking for this week.

UNSEEN DELETED SCENE:

Denzel Washington's character from Training Day comes back from the dead at the climax of the film and the three cops here have to battle the undead bad cop to the death!!

Darkmatters rating: ööööööö (7 dirty cops out of 10)

Darkmatters quick reference guide: Action 7 / Style 8 / Babes 7 / Comedy 6 / Horror 5 / Spiritual Enlightenment 4

Killzone 3 is shock and awe(some)

Killzone 3... FPS to die for... DARKMATTERS REVIEW OF KZ3: click here

"Sony's true Halo killer shows itself"



Read more and check the excellent Kevin Butler advert HERE

"Everybody smiles when they play Killzone 3"

For babes click HERE

Jacques D'Azur's heir found

Jacques D'Azur's heir found

By Matt Adcock

You must remember a few months back when we reported that international famous playboy Jacques d'Azur was missing - presumed 'up to his neck in mischief'? And how Jacques' wealthy family offered a large reward for the mysterious king of Cannes.

Well, alas he was never found... but Stella Artois 4% discovered the true heir to legendary film producer Jacques d'Azur, and whisked him away to take Jacques’ place at the Cannes Film festival, in the luxurious style that Jacques is accustomed to...

Watch it all here:

Ghost Stories – Live in London!

"I ain't scared o' no ghost... but you might be!?"

Ghost Stories - a truly terrifying show! Live at the Duke Of Yorks Theatre.

‘I had to sleep with the lights on. A top night out.’ Metro

Direct from a sell-out season at the Lyric Hammersmith, comes Ghost Stories a truly terrifying theatrical experience. Written and directed by The League of Gentlemen's master of the macabre, Jeremy Dyson, and Andy Nyman, co-creator and director of Derren Brown’s television and stage shows and star of Dead Set and Severance this is one event not to miss this Summer.

‘Brilliantly Scary.’ Daily Express

Here's the official WARNING: Please be advised that Ghost Stories contains moments of extreme shock and tension. The show is unsuitable for anyone under the age of 15. We strongly advise those of a nervous disposition to think very seriously before attending.

Ghost Stories mixes the very best of theatre with the buzz of a thrill-ride, delivering something unforgettable. Just keep telling yourself it's only a show.

You have been warned!

EXAM hits Blu-Ray and DVD

EXAM

"How far would you go to win the ultimate job?"

Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation.

In a windowless room, an Invigilator gives the students eighty minutes to answer one simple question.

There are also three rules they must obey or be disqualified:

1. don't talk to the armed guards

2. don't spoil your paper (e.g. try and write an answer)

3. don't leave the room

The clock starts and the EXAM begins...

Exam Out was released on Blu-ray & DVD June 7th

Darkmatters Review: 4.3.2.1.

4.3.2.1. (15)

Dir. Noel Clarke & Mark Davis

Reviewed by Matt Adcock

The countdown has started:

4 gorgeous girls – The sexy but downtrodden Joanne (Emma Roberts), the demur but self-harming Shannon (Ophelia Lovibond), the wild and out of control Kerry (Shanika Warren-Markland) and the stunning rich girl Cassandra (Tamsin Egerton)…

3 action packed days – which see the girls involved in stolen diamond heists, violent assaults, shootouts, sex and shopping.

2 cities – London and New York, you don’t need any others.

1 chance – to escape their everyday lives on the mean streets and life the dream.

Noel ‘Kidulthood and Adulthood’ Clarke delivers a new Brit twist on the multiple viewpoint heist movie formula which blazed onto our screens through films like Reservoir Dogs. 4.3.2.1. takes a dynamic, self destructive conclusion timed a t 23.30 on a Sunday night and rewinds the three days leading up to it four times, through the lives of the four girls.

This is basically an FHM reading lad’s wish fulfilment film which casts attractive girls and puts them through three tough days which reverses the charges of sexism by empowering the females leads. Men don’t stand a chance in 4.3.2.1. – they are generally creeps, losers and scumbags, girls however, well girls are tough, hot heroines who can save the day no matter what the odds.

"which one is your favourite?"

" Naughty..."

Stylishly made in the vein of the excellent ‘Go’ from 1999, 4.3.2.1.mixes smart pop culture references, foul mouthed humour and crowd pleasing action scenes with a serious underlying level of threat. The result is director Clarke’s best film to date, he has a cool sense of humour – keep an eye on television news scenes in the background which sport superb headlines such as ‘Chelsea Football Club Declared Bankrupt’. Add in fun cameos from king of slacker comedy Kevin ‘Clerks’ Smith and rapper ‘Eve’, and keep the whole things sizzling with some over the top payback. Clarke appears himself as a dodgy shop worker and EastEnders’ finest veteran Michelle Ryan cuts a swathe as a nasty crime enforcer. Does it make much sense? Not at all. Is it a lot of fun to watch? Absolutely!

"Taking being a babe seriously!?"

All the lead girls deliver good performances, some might wonder if it’s entirely necessary for them each to have scenes in their underwear but they do catch the eye. The four separate tales collide after three days due to some nicely implausible plot twists and it even sets up a potential sequel. Girl power has never looked so good. 

"Yep - she's a babe"

"where did I put my clothes?"

UNSEEN DELETED SCENE:


Sesame Street puppets kidnap the girls and teach them to sing the 4.3.2.1. song before Kerry breaks free and slaughters the puppets in graphic style...


Darkmatters rating: öööööööö (8 babe powered actions out of 10)

Darkmatters quick reference guide: Action 8 / Style 8 / Babes 9 / Comedy 8 / Horror 5 / Spiritual Enlightenment 2




Check out another review here

Darkmatters Review: The Losers

The Losers (12a)

Dir. Sylvain White

Reviewed by Matt Adcock

As the soppy ’80s ballad went ‘Every Loser Wins’… But does this apply to a maverick bunch of revenge-hungry U.S. Special Forces who are double crossed and left for dead on their last mission?

These ‘Losers’ compromise of Clay (Watchmen’s Jeffrey Dean Morgan), Jensen (Fantastic Four’s Chris Evans), Roque (The Wire’s Idris Elba), Pooch (Columbus Short) and Cougar (Oscar Jaenada).
The action is ripped from the pages of the stylish graphic novel by Andy Diggle and a guy named ‘Jock’ – and it looks a treat on the big screen. Imagine the hyper- kinetic whiz bang visuals favoured by Tony Scott blended with the macho posturing of Guy Ritchie you’ll have some idea of what to expect.

The plot is a low on brain cell but high on explosion ‘revenge mission’ against powerful Bond like baddie known only as ‘Max’ (hammed up to the um, ‘max’ by Jason Patric). Max might not have a back story but he gets some good including: “It's like giving a handgun to a six-year-old, - you don't know how it's gonna end, but you're pretty sure it's gonna make the papers.” The Losers are aided by mysterious and beautiful Aisha (Avatar’s Zoe Saldana) but the odds are stacked against them all the way.

"all action babe!"

There are some fantastic set pieces that set this apart from the mire of many B-movie forgettable action flicks including an audacious helicopter hijack and a superb ‘human weapon’ scene where Jensen backed up by sniper Cougar pretends to have the ability to shoot people with his fingers.

Fans of the graphic novel will be delighted to see the film effectively capture the look and feel of the original material much like Watchmen or Sin City before it. Director Sylvain ‘I'll Always Know What You Did Last Summer’ White scores his best film to date with this likeable and genuinely exciting rollercoaster action ride which even sets up a welcome sequel should this one make enough cash at box-office.

"she likes a man with a big gun!"

Throw in some high-tech future weaponry, sizzling interactions between Clay and Aisha and a ‘Glee’-tastic comedy rendition of "Don't Stop Believin'" – sit back and let the good times roll. The Losers might not have an original element to its name but if you’ve a hankering for some tasty action then this will deliver just enough until the heavy artillery of The Expendables and The A-Team arrive later this summer.

By the way, The Losers clocks up as my 500th review for the award winning Johnson Press titles which include the ‘must read’ Luton News and ‘groundbreaking’ Biggleswade Chronicle…

UNSEEN DELETED SCENE:

The Losers run into The A-Team and have to battle to the death...

Darkmatters rating: öööööööö (8 tasty shootouts out of 10)

Darkmatters quick reference guide: Action 9 / Style 8 / Babes 8 / Comedy 7 / Horror 5 / Spiritual Enlightenment -1

Darkmatters Review: ModNation Racers PS3

ModNation Racers
– Play, Create, Share, Kick Some Racing Ass!!

PlayStation 3 (and PSP)

Reviewed by Matt Adcock

Sony have many many cool exclusive games hitting the shelves this year, you can taste the anticipation for Little Big Planet 2, Gran Turismo 5, The Last Guardian etc etc…

But here is another big hitter in the suped up form of kart racer ‘ModNation Racers’ which is all kinds of awesome!!

As a massive Mario Kart fan (spent days of my life playing the original SNES version), I’ve been hoping and praying for a suitable Sony equivalent which could look Mario Kart in the eye and deliver sublime racing action…

And the killer sell with ModNation is that it comes with a virtually infinite customisation engine which allows you to design your driver, your car and even your track. Pretty much anything you can think of can be created – your creations can then be uploaded and shared world wide. The joy is that if you see a creation that someone else has made, you can simply download it, use it, remix it a bit if you like – you get the idea…

It’s an audacious play and the big question is can United Front Games really deliver a world class new racing phenomenon or are we destined for a shoddy ‘me too’ effort. ModNation Racers on PS3 (and portable on PSP) is the future of racing…

Instead of menus you get the ‘Modspot’ is a mini town that you can drive around, choosing to stop off at different areas to check out things like the creation zone, where you can get stuck in to building or modifying or the racezone which is where you can jump straight into online (multiplayer) or offline (vs AI or split screen) races. When online you’ll see other players zooming around the Modspot too and you can challenge them, message them or just check out their creations – or just have a mini race around with them… It’s seamless and a real joy – and it’s not often you can say that just about a menu!

You’ll probably be inspired to make your ‘mod’ next (no, not the Quadrophenia kind), these are your racing avatars and again the creation / editing interface is very nicely implemented and simple to use. If you can’t be bothered to make you own, there are a nice selection of prebuilt mods and some wicked user created ones too – from Simpson characters, Mario, Killzone Helgast Troopers, Spiderman… The ones with the most votes get showcased in the modspot and only take a few seconds to download. Loading times however can be the only real annoyance – mostly because you’ll basically be highly anticipating getting stuck in. It’s the only thing I could find to moan about and it’s not a deal breaker…

Then it’s on to your car / kart, lots of options for design innovation here and masses of style tweaks to allow you create something truly bespoke and utterly awesome. The user created ones again can be downloaded and people have made some killer machines.

Finally the track editor, this is excellent too. The level-sculpting tools reminded me of those in Far Cry 2 which hit the sweet spot between usability and powerful creation options. To lay your basic track you simply drive a tarmac laying machine around, and the AI can help you out if you get stuck or want the PS3 to take over and complete the track for you once you have the outline you want. The landscape can be raised and lowered, populated with all manner of terrains, trees, buildings, rocks… At any point you can jump straight in to a ‘test drive’ and see how your track handles. There are speed boosts to be laid, weapon / power ups, barrels (both exploding and water filled) – it’s a lot easier to build with than the Little Big Planet levels. It took me under ten minutes to create a fairly cool track – and seconds later I was hosting a race on it against some online rivals.

The joy in uploading your creations to the PlayStation Network and share them is pretty much user generated nirvana. You can comment and ‘rate’ the content uploaded by others – and download those that you like the look of.

And so to the racing itself… MRN offers up some seriously slick racing thrills. The karts handle nicely (very very reminiscent of Mario Kart control wise, right down to the drifting around corners – which leave tasty ‘Back to the Future’ style flaming tyre tracks here). It really is a joy to partake of and is very easy to pick up and play, yet there is lots of challenge which will see it take some time to master – and the weapons add a Wipeout like wild card to the proceedings. Use em straight away or collect a couple and see them power up!?

ModNation Racers is fantastic fun, Sony have a potentially supernova hit on their hands here – there really isn’t anything to match this create, share, race package. Nintendo should be worried, Xbox owners should cry, there is nothing on the market to match the high speed creativity of ModNation Racers – what’s that lying bleeding in the road? Look a lot like some guy in a plumber’s outfit…

Play, share, create – BUY THIS GAME!!


Darkmatters rating: öööööööööö (10 burning laps out of 10)

Darkmatters Review: Street Dance 3D

Street Dance 3D (PG)

Dir. Max Giwa & Dania Pasquini

Reviewed by Matt Adcock

“Na na na naaiaaa… Watch me while I stand here, Watch my feet, my stance, my body language - I’m not someone to be messed with!” So goes the pumping N-Dubz ‘We Dance On’ - soundtrack to this slick new British dance movie that brings street dancing to the big screen like never before – in 3D.

You don’t need to be Simon Cowell to know that the Street Dance phenomenon has been red hot since Diversity beat Susan Boyle to win Britain’s Got Talent with their inventive, creative, eye-popping moves. In Street Dance 3D we follow the attractive young Carly (Nichola ‘Donkey Punch’ Burley) as she struggles to lead some aspiring street dancers to glory after her boyfriend and former leader of their ‘Jay2-0’ troop Jay (Ukweli Roach) leaves them in the lurch.

With the crew falling apart and Carly nursing a broken heart – whilst rival dancers (and reigning champs) Source strut their stuff, glory in the UK Streetdance Championships looks unobtainable… But maybe, just maybe Carly can find some new members for the rechristened ‘Break Point’ troop, oh and a rehearsal studio too… What are the chances that a snooty ballet school might just be the answer??

OK so the plot won’t win any awards but the dance moves might as the various competitions, training scenes and climatic championship face off are really impressive. For once the 3D is used effectively to bring the action alive and even add watchability to otherwise average scenes. I have to confess that I could watch Nichola Burley doing nothing all day in 3D, but it is exciting to see a British film seamlessly blend 3D to improve the overall experience – as oppose to it being tacked on to try and jazz up the lackluster action cough ‘Clash of the Titans’ cough…

"Britain's got Ballet..."

My two sons loved this with one proclaiming that it was his ‘film of the year’ but then he’s a big N-Dubz fan so he was sold by the admittedly cool soundtrack (oldies note that there’s some Vega4 on there to help balance out all the Grime and Garage tunes). Younger son likened Street Dance 3D to the recent Fame remake and it does have that pleasing Brit Fame-alike vibe just with the added bonus of genuinely talented dancers including Flawless, George Sampson and Diversity who all won fans on Britain’s Got Talent.

Whilst Charlotte Rampling stands out a mile by actually being able to act, the cast of Street Dance 3D all do what they can with the horribly clichéd plotline. The best thing to do is to sit back and enjoy the flashy, eye popping visuals whilst letting the ‘seen it all before’ story wash over you.

UNSEEN DELETED SCENE:

The 'Kids' from Fame turn up and challenge Break Point to a dance battle - it goes to the wire with the two blonde hottie leads (Burley from SD3D and Kherington Payne from Fame) wrestling each other...

Darkmatters rating: ööööööö (7 wicked dance moves out of 10)

Darkmatters quick reference guide: Action 7 / Style 7 / Babes 8 / Comedy 6 / Horror 3 / Spiritual Enlightenment 3

Darkmatters Review: Heartless

PlayStation®Network Download Premier: Heartless (18)

Dir. Philip Ridley

Reviewed by Matt Adcock

“I’m the patron saint of random violence…”

Philip Ridley makes a deliciously alternative type of movie – his two previous features The Reflecting Skin (1990) and The Passion Of Darkly Noon (1995), both of which helped introduce the world to Viggo Mortensen but both were serious Marmite ‘love it or hate it’ flicks.

Now Ridley is back and he’s not lost his love of exposing the grotesque, dark underbelly of human nature… Much as David Lynch does so effectively. Indeed Heartless brings deep desires to the screen and twists them into horrific nightmares – this is horror fantasy on a par with films like Pan’s Labyrinth, TV shows like American Gothic or Twin Peaks or the many works of Clive Barker. You could call Heartless:

‘Hellraiser for the Hoodie generation.’

Set against the bleak housing estates and gang turfs of a Daily Mail reader’s nightmare vision of London. Violence and suffering are the order of the day here – as the Satan-alike Pappa B (Joseph Mawle) says:

“Love ain’t eternal… only suffering can be eternal…”

So this is the unhappy tale of young Jamie (Jim Sturgess), a decent enough lad born with a ‘heart’ shaped birthmark on one side of his face. But that is the least of his troubles when he comes up against a brutal gang of fire bombing hoodies – whose ‘demon’ masks are just a little bit too realistic…

Heartless is set to premiere on PlayStation®Network Video Delivery Service simultaneously with the film's release in cinemas. From 21st May, members of the Sony Computer Entertainment (SCEE) PlayStation®Network Video Delivery Service will be able to rent an Exclusive Edition of Heartless, direct to their PlayStation 3 or PSP from only £5.99. The exclusive edition includes Dynamite Sky a 25 minute bonus feature covering the Making of Heartless.

"You might remember me from such films as Angel Heart!?"

I was impressed by the sheer verve and creativity on display here – some people will hate the twisting pretentious plot but those willing to delve into the darkness and invest a little thought energy will come away challenged. The cast are strong and include Noel ‘Kidulthood’ Clarke and the brilliant Eddie Marsan, who plays a character called ‘Weapons Man’ who could have been plucked from The Matrix.

Be warned though that Heartless is not for the faint of heart as it deals in gory death as much as it’s theological issues…

Darkmatters rating: öööööööö (8 creative and thought provoking fire bombs to the brain out of 10)

Official site: www.heartlessmovie.com

Enjoy the PlayStation®Network Video Delivery Service at: http://videostore.uk.playstation.com/

Darkmatters Review: Robin Hood

Robin Hood (12a)

Dir. Ridley Scott

Reviewed by Matt Adcock

It is said that in times of tyranny, outlaws rise and take their place in history…

So here we have everyone’s favourite forest based outlaw in an all new, grittier, glossier and bigger budget take on the Robin Hood myth. Ridley Scott directs his Gladiator star Russel Crowe as Robin Longstride – a sharpshooting archer in the service of Richard the Lionheart (Danny Huston). When the king falls in battle whilst pillaging a French castle, Robin is tasked with returning the crown to England which is under threat of civil war from the nefarious meddling of Sir Godfrey (a nicely evil Mark Strong).

This prequel tale strives to give an insight into how and why Robin became the tight wearing, Sheriff baiting, wealth redistributing hero of lore. Scott’s Robin is a noble fighter who gets to almost single handedly save England from our swarthy French invaders, bring honour back to the house of Loxley and woo the spirited Lady Marion (Cate Blanchett). Along with the nasty French, Robin also has to stand up to baddie King John (Oscar Isaac) and the obligatory Sheriff of Nottingham (under-utilised Matthew Macfadyen – but as Arnie would say ‘he’ll be back’ – in the sequel).

Robin’s formative band of ‘Merry Men’ are on hand too – with Little John (Kevin Durand), Will Scarlet (Scott Grimes) and Allan A'Dayle (Alan Doyle) backed up by the jolly Friar Tuck (Mark Addy). Thanks to Crowe’s erstwhile manfully grim lead, it falls to these guys to provide what little comic relief there is and they certainly do lighten the mood but don’t really get enough screen time.

Everything ticks along nicely but somehow this Robin Hood doesn’t really engage your heart. In true blockbuster style the plot builds up to a massive climactic battle and it’s a good one. Imagine the beach landing scene from Saving Private Ryan just with swords, bows and cavalry. It’s quite something to behold and is a major payoff for having waded through two hours of averagely entertaining ‘obvious set up for part 2’…

"For England... Harry and King George?"

If this makes enough money, we can only hope that the next chapter gets made because to be honest, it’s the stealing from the rich and giving to poor stuff that is much more watchable. Robin Hood fans are likely to remember this version as their ‘Phantom Menace’…


UNSEEN DELETED SCENE:

In a shock unseen twist ending Robin hood is confronted by Maximus from Gladiator (Crowe playing both roles) and the two heroes have to team up for a two on two fight with King John and his champion warrior...

Darkmatters rating: öööööö (6 expensive arrows almost missing their targets out of 10)

Darkmatters quick reference guide: Action 7 / Style 7 / Babes 5 / Comedy 5 / Horror 5 / Spiritual Enlightenment 4



Fancy some old school Hoodness?

Darkmatters Review: Hot Tub Time Machine

Hot Tub Time Machine (15)

Dir. Steve Pink

Reviewed by Matt Adcock

“It must be like some kind of Hot Tub Time Machine…”

Strip off, jump in, and revisit the 80s with John Cusack as he teams up again with Steve Pink who previously worked together on the awesome Grosse Pointe Blank.

Hot Tub Time Machine takes a winningly crazy male bonding plot and adds unlikely time travel to excellent comic effect. It tells the tale of middle-aged pals Adam (Cusack) who has put his careers before his friends, Lou (Rob Corddry) your average suicidal alcoholic nutter, and Nick Webber (Craig Robinson), a husband who is completely under his wife’s thumb. Also along for this gross out time trip is Jacob (Clark Duke), Adam’s chubby uber geek nephew.

On a quest to recapture some of the thrills the group experienced ‘back in the day’ they revisit their favourite ski resort but the highly likeable quartet get transported back some twenty years to music festival Winterfest '86, which was a key weekend for them when they were young.
Cue some potentially classic goofball comedy which hits hard on the ‘guilty pleasure’ low brow comic targets whilst dealing in a fun sideline of coming of age shenanigans and some ‘space-time continuum’ hi-jinx.

It’s very rude and crude but also seriously funny with a non-stop blast of bad taste jokes as the guys have to re-enact their eighteen-year-old loves and misadventures. You’ll watch through your fingers a recurring limb severing gag, friends betting more than they ever dared on events they think they ‘know’ the outcome of and a brilliant pre-emptive strike where Nick phones and berates his cheating wife-to-be (who is only 9 at the time). Hats off to the writers for some really memorable scenes!

The only weak link is the slight romantic side plot which sees Adam fall for April – a free spirited music journalist (Lizzy ‘True Blood’ Caplan) but even this can’t derail the riotous joy of this sex-em-up comedy.

"booze fuelled Hot Tubs... not such a good idea"

Indeed, you don’t even have to have experienced the 1980’s to enjoy this madcap full frontal assault on your funny bone, although if you were there then the excellent ‘80’s soundtrack is likely to blow you away.

If you liked The Hangover (and I hope you did as it was the funniest film of 2009) then you should make a date to take a dip in the Hot Tub Time Machine ASAP!

UNSEEN DELETED SCENE:

The guys from the Hot Tub Time Machine run into the guys from The Hangover in a comedy genius cross over...

Darkmatters rating: öööööööö (8 '80's good times out of 10)

Darkmatters quick reference guide: Action 7 / Style 7 / Babes 8 / Comedy 9 / Horror 5 / Spiritual Enlightenment 3

Darkmatters Review: Van Diemen’s Land

Van Diemen’s Land (15)

Dir. Jonathan auf der Heide

Reviewed by Matt Adcock

“Hunger is a strange silence…”

Feeling peckish? You might not be if you witness writer-director Jonathan auf der Heide’s debut feature… We’re back in 1822 where gritty cannibalism is the order of the day as a bunch of neer-do-well convicts turn on each other to survive during their escape break across the harsh and unforgiving Australian wilderness.

Van Diemen's Land was a penal camp, rightly feared as being a place that would be un-escapable from due to it being situated at the end of the world (near Macquarie Harbour, which was nicknamed 'Hell’s Gate').
A nicely stereotypical bunch of inmates made up of Irish, English and Scottish make a ill prepared dash for freedom, only to be cowed by the barrenness of the land… As their rations run low and physical exhaustion sets in – the band look to kill and eat each other to survive.

Oscar Redding stars as Australia’s most ‘notorious’ convict, Alexander Pearce, he makes an interesting character and is ably backed up the motley escape party which includes Mark Leonard Winter, Arthur Angel and Paul Ashcroft…

Heide creates some fantastic dark and deeply foreboding atmosphere using the freaky natural landscapes of what is now Tasmania and shoots it through with an unnerving washed out palette. You’re effectively drawn in deeply as the characters strike up some lively banter, form cliques and eventually come to fatal blows. The suspicion and tension ratchet up nicely and all the while are the haunting, lingering landscapes that act as a major character in themselves.

I’m not a very squeamish film viewer, so the cannibalism didn’t freak out too much (it’s not as grim as in say 1999’s Ravenous which deals in similar dark subject matter). Everything ticks along as you might expect, there are no real surprises, just the gritty outplay of some very grim events. It is effectively put together and worth a watch if you like your dramas “meaty”…

The big ‘buy in’ is the sixty-four-million question of “what would you do?” Assessing that moral dilemma is what will either have you shaking your head and tut at the very premise or agonise with the characters throughout their harrowing misadventure.

Darkmatters rating: öööööö (6 hungry convicts out of 10)

If you fancy it, why not pick it up when it’s released on the 24th May, try here: http://tinyurl.com/2uwfqx7

Darkmatters Review: Four Lions

Four Lions (15)

Dir. Christopher Morris

Reviewed by Matt Adcock

When it comes to taking your own life in an act of jihad, it seems all you really need to ask your self is:

“Do you want to be in the queue at Alton Towers…

or would you rather be on the Nemesis, Oblivion or the Rubber Dinghy Ride?”

If you choose to queue, then put down the nail bombs and stand quietly by.

If you want to a quick pass to ‘ride the rubber dinghies’ then strap on your destiny and say farewell to your nearest and dearest…

This is the sort of dark dark satire that Christopher ‘Jam, Brass Eye, The Day Today’ Morris does best. Taking a character based approach to such an inflammatory subject matter as suicide bombers targeting the UK, Four Lions kicks your teeth in with incendiary, biting, wit mixed with cuttingly tragic repercussions.

Lead character Omar (Riz ‘Centurion’ Ahmed) is a decent chap, happily married, devoted father and yet also the ring leader of these ‘lions’ – for whom martyrdom has become a goal through which they want to strike a holy blow against the West.

"these are not the men who stare at goats..."

His ‘crack’ team comprise of Barry (Nigel Lindsay), a white convert to Islam who agitates his new ‘brothers’ (is he really a racist underneath?) who thinks that the best target for their attack would be a mosque - to radicalise all UK Islamists. Also on hand is Waj (Kayvan ‘’Fonejacker’ Novak), a simple chap who often gets confused – and so if ripe to be encouraged to blow himself up.
Completing the set are the meek Fessal (Adeel Akhtar) – the only one who actually has some bomb making skills but who isn’t as convinced about the dying part, and Hassan (Arsher Ali) – a likeable wide boy who actually enjoys the British way of life.

The one thing they have in common other than their wish to be walking bombs is that none of them are very good at being terrorists… This is the film’s richest source of comedy gold as the group’s incompetence is manifest in many highly dangerous and completely shambolic situations.

At one point the news flashes a headline: ‘Asian Man’s Head Has Fallen Out Of A Tree’ which leads you ask just ’‘Who will survive and what will be left of them?’ This very real threat keeps your nerves ratcheting up whilst fate ticks down to their planned acts of atrocity… Morris is aided and abetted by Peep Show’s Jesse Armstrong and Sam Bain in bring a meticulous spotlight into the lives of these fictional followers of Islam. Despite the slapstick and stupidity on offer, underneath it has a very real feel to it, which makes you care for these enemies of the State.

"best laid plans...don't often include outfits like these"

Four Lions is a tragedy as much as it a comedy but the laughs are frequent and brilliant… There is an unforgettable scene outside a terror training camp in Pakistan when two of the group are faced with a U.S. spy drone. The repercussions of their rocket launcher action only gets its full pay off if you watch through the end credits – it is this kind of set up that makes the film fly.

It isn’t just the bumbling terror cell that cops comedy flak from Morris though, my favourite scene sees police sharpshooters arguing about whether a bear is a type of Wookiee – and targeting the wrong fancy dressed runner as a result.

As a Christian I found the depiction of the Islamic faith interesting – one of the bombers has a taking teddy bear that is programmed to say his prayers to Allah for him… Yes Morris fearlessly goes for the comedy jugular even in matters that many comics would shy away from.

In the end Four Lions will leave you dazed and confused, challenged and inspired. This is a brilliant film that deserves to be seen – prepare to laugh, cry and wince, probably all at the same time!!

UNSEEN DELETED SCENE:

The 'Four Lions' get drafted into the England Football Squad when Capello thinks they are an upgrade of the 'Three Lions' (on the shirt)!?

Darkmatters rating: ööööööööö (9 exploding comedy moments out of 10)

Darkmatters quick reference guide: Action 7 / Style 7 / Babes 47 / Comedy 9 / Horror  / Spiritual Enlightenment 4

Darkmatters Review: Iron Man 2

Iron Man 2 (12a)

Dir. Jon Favreau

Reviewed by Matt Adcock

Prepare for a heavy-metal super sequel that ignites 2010’s blockbuster season…

Director Favreau (who gets a fun cameo) makes sure that absolutely everything is in place for a successful follow up to 2008’s jaw dropping origin tale. Fun loving billionaire Tony Stark (Robert ‘Sherlock Holmes’ Downey, Jr.) blasts back as Iron Man. The action picks up straight after the first film where Stark had announced his ‘super’ alternate identity to the world.

New villainous baddie ‘whiplash’ comes in the form of a crazed Russian scientist Ivan Vanko (Mickey ‘The Wrestler’ Rourke) – a serious threat due to the fact that he has created a weapon based on similar tech to Iron Man. Rourke eats up the screen on a growling, arrogant collision course with Stark and he brings a mean pair of laser whips with him…


Super sexy Natasha Romanoff / Black Widow (Scarlett Johansson who hasn’t looked this good for ages) is another great new character who can kick ass and add a spunky extra option to the love interests in Stark’s life.


Iron Man’s lone wolf image could be threatened by a new ally in the heavily armed shape of Lt. Col. James 'Rhodey' Rhode who steps up to become ‘War Machine’ (Don Cheadle playing it straight). The sight of these two battle suited heroes going for it hammer and tongs, side by side, against some daunting odds in the climactic showdown is an absolutely wonderful adrenaline rush that elicited yelps of excitement from the audience.


Returning characters include Pepper Potts (Gwyneth Paltrow) but whilst she was great in the first film, here she is so comprehensively upstaged by Johansson that she feels somewhat redundant. Also back is Samuel L. Jackson as Nick Fury, the man who manages a certain superhero team – which Iron Man is destined to form a part of… Keep you eyes peeled for some great hints as to which other heroes are going to be turning up in the same universe as Iron Man very soon. Oh and make sure you don’t leave until you’ve caught the after the credits tease which is enough to make comic book geeks freak right out.


Downey Jr. brings his infectious charisma to the lead role and is a hero that has real issues to deal with but who keeps the audience onside even when making a bit of a dick of himself. Iron Man 2 is a crunching success, a good time super hero adventure that deserves at least one more sequel!

"Mmmmmmm..."

UNSEEN DELETED SCENE:

Iron Man gets into a sticky situation after hooking his suit up to a Xbox 360 for a Call of Duty battle simulation and unwittingly develops a hard to trace error which sees his suit overheating and his chest circle flashing a ‘red ring of death’…

Darkmatters rating: ööööööööö (9 armoured battle suits out of 10)

Darkmatters quick reference guide: Action 8 / Style 7 / Babes 7 / Comedy 6 / Horror 3 / Spiritual Enlightenment 4