DARKMATTERS - The Mind of Matt

You met me at a very strange time in my life...

Read my novel: Complete Darkness

TREAT yourself to the audiobook version: DARKNESS AUDIOBOOK
Listen to the PODCAST I co-host: Hosts in the Shell

Sunday, August 16, 2009

Tottenham new Season, new Hope, new WAGS...


Spurs kicked off the '09 / '10 Premier League with a joyful and unexpected beating of Liverpool!?

You can see the joy on the faces of Benoit Assou-Ekotto and Luka Modric above... on the Liverpool players faces, not so much...

And whatever this Season holds for the Yid Army - there's one league we've already topped:

The Premier League of WAGS

Here's the top 5 as voted by the readers of Zoo magazine (apparently some of them can actually read!?):

1. Spurs (Abbey Clancy, Imogen Thomas, Danielle Lloyd)

2. Arsenal (Melanie Slade)

3. Chelsea (Cheryl Cole, Carly Zucker, Toni Poole)

4. Manchester United (Coleen Rooney, Rebecca Ellison)

5. Liverpool (Alex Curran)

And for those who don't know what the Spurs wifes/girlfriends on this list look like - here's the evidence, now you can judge for yourselves...


Imogen Thomas


Danielle Lloyd


Abbey Clancy

Now you know!?

Darkmatters Review: Aliens in the Attic


Aliens in the Attic (PG)

Dir. John Schultz - who previously brought you When Zachary Beaver Came to Town and Like Mike

Reviewed by Matt Adcock (watched with sons - they loved it)

ONE WORD SUMMATION: aliens+fullbodycontrol=fun

Ever fancied being able to remote control another person? What about a member of your family? That's just one of the innovative ideas Aliens in the Attic brings to the big screen and it leads to the best one on one fight this year... Yes thanks to alien full body control devices that allow a person to be controlled with a PlayStation like joypad, we get a battle royale between Ritchie (annoying boyfriend character controlled by the baddie aliens) and earth's last best hope - granny or ‘Nana Rose Pearson’ controlled by the kids. I guarantee that the sight of a grandma doing flying kicks and ninja fight moves that wouldn't look out of place in a kickboxing movie or game like Tekken on the PS3 will stay with you forever. Alas that’s pretty much the only reason to check out this movie unless you’re following the career of High School Musical's Asley Tinsdale who reprises her bratty teen persona as Sharpay, sorry, Bethany and does an ok job looking cute and vacuous (which must have been a stretch!?).


"did someone say cute and vacuous?"

Overall the movie is average family friendly fun, better than this summer's G-Force but not as good as Transformers 2. The action cracks along at a pleasing pace and at a brief 86mins these little aliens don't outstay their welcome. My two sons enjoyed it more than I did so it looks like the target pre-teen audience will give this the thumbs up, adults accompanying them can just play the fun game of spotting the massive amounts of product placement…

So the fate of the earth rests on the scrawny shoulders of these kids who are a likeable enough average bunch of siblings. Austin Robert Butler is probably the best of them and looks to have some star potential and could be ready to step up as the next Owen Wilson with charisma to spare.


"We're all in this together etc..."

Aliens in the Attic is a perfectly disposable bite sized bit of nonsense, Director John ‘Like Mike’ Schultz proves again that he can churn out watchable kids b-movies in his sleep. If you’ve children or sci-fi nerds who need entertaining then this will do the job, others need not worry as there’s bigger, potentially much better alien fun on the horizon as James Cameron brings Avatar - the most expensive film ever - to the screen later this year.


Darkmatters final rating of: öööööö (6 better than it should have been)


Darkmatters quick reference guide:

Action 6 (would have been 4 but for the excellent nanny fight!)

Style 6 (the aliens aren't as cool as Gremlins)

Babes 8 (Asley Tinsdale is hot)

Comedy 7 (some fun with body control!)

Horror 4 (tame)

Spiritual Enlightenment 4 (free will - is it a myth?)

Monday, August 10, 2009

Darkmatters Review: Orphan

 

Orphan(15) 

Dir. Jaume Collet-Serra 

Reviewed by Matt @Cleric20 Adcock (watched with friend Ian and lots of screaming teens) 

See that prim little girl over there, the one with the dark eyes who looks like she might be wise beyond her years? She wants to play with you and your family… But there’s something wrong with Esther (a chilling Isabelle Fuhrman), she has a terrible secret, oh and she’s s psychopathic murdering spawn of hell too. Orphan is powerhouse new horror thriller from Jaume ‘House Of Wax’ Collet-Serra. It’s the story of troubled couple Kate (a brilliant Vera Farmiga) and John (goofy Peter Sarsgaard) who adopt young Esther to try and compensate for losing one of their biological children. Needless to say that things don’t work out so well, as the body count starts to ride almost as soon as the family has sprung Esther from the orphanage.

   
"pre-teen death bringer..." 

 Fuhrman is a fantastic as Esther, genuinely creepy even when trying to convince her new folks that she’s a polite, mature little girl and utterly demonic when she’s goes ape. Orphan is refreshing in that it doesn’t pull its punches. Director Collet-Serra is a sick puppy and doesn’t let the ‘15’ rating get in the way of graphic death and seriously disturbing content. This really isn’t a film for the faint of heart and as the friend I saw it with (who works for Social Services) said “this is going to put a lot of people off adopting!”

   
"look into my eyes..." 

 If you’re looking for a thriller that will keep you on the edge of your seat, wrong foot you at crucial moments and bounce along at a decent pace, this is the movie for you. The script is sharp and mixes some pitch black humour into the escalating horror with lines like “Oh, look, Little Bo Peep text me - she wants her outfit back” from one of Esther’s school classmates. The look she gets by way of reply is pure malice. Orphan is almost up there with ‘Let The Right One In’ for 2009 ‘s top-quality horror efforts – go and see Esther at your peril! 

Darkmatters rating: öööööööö (8 – effective horror thrill ride) 

Darkmatters quick reference guide: 

Action 7 (nicely paced, Orphan grips like a vice... actually you'll probably not like the vice scene...) Style 7 (production values are higher than for most B-Movie horrors in this ilk) 
Comedy 6 (some very dark laughs) 
Horror 8 (heavy duty for a 15) 
 Spiritual Enlightenment 5 ('don't kill me mommy'...)

   
"see - not quite so bad in real life!?" 

EXTRA CONTENT: Read an interview with young miss Fuhrman here 


>>> Imagine a world where the earth is becoming hell?

Click below to find out in my dark sci-fi novel...

https://www.amazon.co.uk/Complete-Darkness-Darkmatters-Matt-Adcock/dp/0957338775



Wednesday, August 05, 2009

Darkmatters Review: Let The Right One In

 

Let The Right One In (15) 'Låt den rätte komma in' 

Dir. Tomas Alfredson 

Reviewed by Matt Adcock (@cleric20)

Sometimes a film comes along – out of nowhere and speaks to your very core… 

That is one of the reasons that I love being a film reviewer, yes there are lots of rubbish flicks that have to be seen but once in a while you find something special… Let The Right One In is a masterpiece. It’s freaky, it’s heartbreaking and grim – but it also has a beating heart of unrequited happiness and innocent joy that transcends the macabre events therein. I saw this back in April on the big screen and have been itching to see it again. Since then I have read the original novel by John Ajvide Lindqvist who also adapted it into the film. The book is excellent too, but darker and full or incidental detail that whist making for a rich reading experience has been wisely exorcised here. 

For example, in the novel Eli’s "father", Hakan (played with hound-dog perfection by Per Ragnar), was a paedophile… whereas in the film we’re never fully informed of his motives or inner thoughts – and the back story as to how Eli became a vampire is caustically grim too. Film viewers are allowed the luxury of wondering ‘what if’ instead and it works. 

But once you’ve experienced the film, reading the book adds layers to the characters and situations, which may highlight just how far they miss the point in the American remake next year.

   
"It's tough being 12..." 

Director Alfredson has superbly crafted a film that goes beyond mere entertainment and becomes an experience much greater than the sum of its parts. Watching this movie, you are tapping into a force that can short-circuit you and rewire your emotions. Let The Right One In is the film that Twilight wishes it could have been. 

This is the 1980’s tale of young Oskar (Kare Hedebrant) a pale, virtually albino, blonde skinny twelve year old who wears clothes that only his mother could think look ok. Oskar is a bully magnet and his school life is hell thanks to scumbag in the making Conny (Patrik Rydmark) and his gang. 

One night Oskar meets a strange girl called Eli (Lina Leandersson), she’s all big eyes and out of place mannerisms, plus she doesn’t seem to feel the cold or know what a Rubik’s Cube is. But an unlikely deep friendship is forged and when on another occasion Eli notices that Oskar has been hurt by the bullies, she tells him he should “hit back” and that if it gets too much that “she can help”… The film’s title comes from a song by Morrissey “Let the right one slip in” which includes the very apt line “And when at last it does, I’d say you were within your rights to bite the right one and say ‘What kept you so long?’”
   
“I’m twelve. But I’ve been twelve for a long time... and you don't want to mess with me...” 

This film delivers a rare experience – my wife called it ‘quite the strangest thing she’d ever seen’.

Movies like this are set apart from the run-of-the-mill - you don't just watch Let The Right One In, you feel it too...

Darkmatters final rating of: öööööööööö (10 – this is a rare treat for those who can handle it!) 

Darkmatters quick reference guide: 

Action 7 (hits hard when it comes, sparingly used 'less is more') 

Style 9 (the bleakness drips from the screen) 

Comedy 6 (dark dark humour to be found) 

Horror 8 (blood is integral to the plot) 

Spiritual Enlightenment 8 (friendship knows no bounds)

Imagine a world where the earth is becoming hell?

Click below to find out about my dark sci-fi novel...

https://www.amazon.co.uk/Complete-Darkness-Darkmatters-Matt-Adcock/dp/0957338775



Tuesday, August 04, 2009

Darkmatters Review: G-Force



G-Force (PG)

Dir. Hoyt Yeatman

Reviewed by Matt Adcock (watched with my kids on a rainy afternoon)
ONE WORD SUMMATION: Rodentinfestation

Your attention please, there has been an outbreak of dangerously cute rodents in this area… We are tracking this multicell cluster storm of furballs as they approach your retinas in flash bang 3D. Be aware that although G-Force is a Disney-ish tale of super-intelligent critters who have been turned into spies to try and nail an criminal mastermind (Bill Nighy) – it’s also a Jerry Bruckheimer production, so buckle up for explosions and action all the way.

Despite sounding on paper like the worst idea for a film since ‘I spit on your grave 2: I sneeze on your grave and I’ve got Swine flu’ G-Force is actually mildly watchable, even if you hate guinea pigs. So we have the G-Force unit of hairy little blighters led by the amusingly named ‘Darwin’ (Sam Rockwell), Juarez (Penelope Cruz) and Blaster (Tracy Morgan) plus a freaky looking mole called Speckles (Nicolas Cage).

It seems that the world is in peril from ‘Clusterstorm’ a devious plan to use consumer electronics products to wipe out mankind by bringing them to life in Transformer style. The money scene for me was when a coffee machine tripped into evil robot and had to be taken down by the furry heroes – giving Darwin the chance for the best line of the film “Yippee-ki-yay, coffee maker!" – got to love a Die Hard reference even if none of the young kids in the audience have seen it…

The Black Eyed Peas must be willing to let anybody use their material – so we get several of their most recent tracks including the rather good ‘I’ve Got A Feeling’, alas the only feeling that you’ll have lingering after seeing G-Force is that ‘Damn, I’ve just wasted two hours of my life’…

Apparently the makers rendered 271,955,886,586 photorealistic hairs to make this film and the boss baddie (a giant robot) had 78,000 geometric pieces and 16,400,000 polygons – which I’m told is even more than they put in Transformers… Seems like a lot of effort for a very average return.

"I’m already expecting the pitter patter of tin y feet in a furry sequel soon… "

Darkmatters final rating of: ööööö (5 – mind numbing but good looking!)

Darkmatters quick reference guide:

Action 7 (you probably won’t see many films where the FBI chase guinea pigs!)

Style 6 (high definition hairs all over the place)

Babes 3 (too much body hair for my tastes…)

Comedy 6 (some laughs to be had)

Horror 6 (the fly character is a bit icky)

Spiritual Enlightenment 5 (don’t trust short sighted rodents)

Monday, August 03, 2009

Darkmatters - Matt falls for a Fat Princess



Fat Princess

PS3

Titan Studios

Reviewed by Matt Adcock

She's fat, she's round, she bounces on the ground…. But you’ve got to love the PS3’s new chubbilicious royalty because she’s redefining the online battling.
Step up if you’ve ever fancied being knight / wizard / priest or um, harvester… This is war, you’ll need to fight, you’ll need to use all your cunning and you’ll need cake, lots of cake!!
Out there is a beautiful maiden to be rescued (alright maybe ‘beautiful’ is a bit of a stretch) but she’s in need of delivering from an army of enemies…
So the feminist baiting, un politically correct Fat Princess has been let loose exclusively on the Playstation Network.

Fat Princess is like a 3rd person medieval Call of Duty, you have five classes of character to use – pick from sword and spear wielding warrior through the ranged archer / musket man or magically charged, fireball throwing mage. Shoot, chop, blast and slap your way through the enemy ranks, breach their castle and escape with the obese Princess. All you have to do to switch classes is pick up the right hat, this includes ‘borrowing’ the hats of your fallen foes. It works really well.

If like me, you’ve ever enjoyed battling online (I’m a vet of COD4, Killzone 2 and Warhawk) then the chances are that you’ll fall for this lardy lady, because whilst she might not have the looks, as Han Solo once said “she’s got it where it counts”. Titan Studios have created a wonderful game, chock full of great ideas, superb playability and serious replay-ability. Everything pulses with invention – you can tell that this is a game made by people who love playing games… From the cute menus ‘play with others’ or ‘play with yourself’ etc through to lovely little touches like the ability to turn enemies into chickens and slaughter them for fun – this is a perfect storm of genius design, mixed with quality programming.


"blood and cake..."

There is an element of resource management too – collecting slices of cake and bringing them back to the enemy princess in your dungeon makes her put on weight so that she’ll require more baddies to carry her off. There are also wood and metal resources which you can harvest, these allow you to upgrade your battle equipment, make new machines of war or build castle defences.

For those out there who normally suck at online battle games Fat Princess is refreshingly ‘pick up and play’ with controls that can be mastered in under 10 minutes. But it will take you much longer to master the subtle variations, upgrades and unique abilities of the various classes.

Online multiplayer sees up to 32 players battling it out in either Rescue the Princess (capture the flag), Team Deathmatch, and Conquest (capture and hold zones) styles. There is a nice selection of maps too from traditional castle based mayhem, through volcano levels or a pirate ship and my favourite – a giant football pitch where unlike the Premiership, violence is recommended!

Overall this a must buy for PS3 owners, Titan Studios deserve to wrack up some serious sales with this classy piece of software. Now if you’ll excuse me, I’ve got another date with that large girl online…


Darkmatters final rating of: ööööööööö(9 – let them eat cake!!)

Darkmatters Review: The Taking of Pelham 123



The Taking of Pelham 123 (15)

Dir. Tony Scott- who previously brought you True Romance, Man On Fire etc

Reviewed by Matt Adcock (viewed in Luton with a bunch of pals)

ONE WORD SUMMATION: Motherfrekinhostigisation


Movie credits running over a classic Jay-Z track?
Check.

Zip zoom / flash cut cinematography using the highest possible techsatellite high definition images?
Check.

Denzel Washington looks good, being mean, moody and unfeasibly cool?
Yep…

Oh yes, we’re deep in Tony ‘Top Gun’ Scott territory here and it’s all aboard the New York subway for a thrill ride remake of Joseph Sargent's classic 1974 hostage drama.

It’s certainly a bad day to take the train as a ticked off and heavily armed Mr Ryder (uber baddie John Travolta sporting this year’s best moustache) takes over the Pelham 123 with the help of a couple of ‘rent an Eastern European retard’ henchmen. Seems that he’s looking to make a swift tax free $10million – or he’ll start executing the passengers, I guess it’s one way to try and beat the credit crunch?


It falls to decent train co-ordinating Walter (Denzel ‘I always put in a good performance for Tony Scott’ Washington) to negotiate with Ryder over the radio… Walter has his own issues as he’s being investigated for possible bribe taking but deep down he’s a good guy, the only question is ‘can he pull through and save the day?’

As the one hour deadline for the cash ticks down, the tension, the number of needless but very exciting car chase scenes and general body count all keep ramping up. You certainly don’t need to be a genius to realise who is going to win this battle of wits but The Taking of Pelham 123 isn’t trying to do anything new, it just wants to entertain you and for the most part it succeeds.

Where the original was slow-burning cat and mouse game, the 2009 version is a hyperactive, foul mouthed and violent car crash. It shouldn’t really be as fun to watch as it is. Sure the clichés come thick and fast from Brian ‘LA Confidential’ Helgeland’s script – he must have been taking ‘dumb-down’ pills since then - but everyone in the packed screening I saw this at was having a very good time.


The two lead actors eat up the screen and make the film worth watching and they are backed up by quality support from Luis Guzmán as a traitorous subway worker and James Gandolfini as the mayor of NYC.


"Basically, if you’re looking for a slick, fun action thriller, the Pelham 123 is a ride worth taking…"


Darkmatters final rating of: öööööööö (8 – wham blam snazzy visual overload, don't think about it too much!)


Darkmatters quick reference guide:

Action 8 (bullet to the head)

Style 8 (smooth and high tech, that's how Scott rolls)

Babes 6 (cute girlfriend webcams herself)

Comedy 6 (Travolta chews up some great one liners)

Horror 6 (innocent people get dead)

Spiritual Enlightenment 5 (nice guys always win)

Tuesday, July 28, 2009

Darkmatters Review: Crooked Little Vein



Crooked Little Vein

Warren Ellis

Reviewed by Matt Adcock

Here’s something a bit special for those who can handle their fiction extreme – meet Michael McGill, a burned-out private detective and self-styled sh*t magnet who is just about to get a virtual cattle prod to the crotch, in the form of an impossible assignment delivered directly from the president's heroin-addict chief of staff. It seems the Constitution of the United States has some skeletons in its closet: the Founding Fathers doubted that the document would be able to stave off human nature indefinitely, so they devised a backup Constitution to deploy at the first sign of crisis. In the government's eyes, that time is now, as America is overgrown with perverts who spend more time surfing the Web for fetish porn than they do reading a newspaper. They want to use this "Secret Constitution" to drive the country back to a time when civility, God, and mom's homemade apple pie were all that mattered.
The only problem is, no one can seem to find it . . .
So who better to track it down than a private dick who's so down-and-out that he's coming up the other side, a shamus whose only skill is stumbling into every depraved situation imaginable? His partner in crime is sexy college student side-kick, Trix, who is writing a thesis on sexual fetishes (and she does a lot of field work for her project).
With no lead to speak of, and no knowledge of the underground world in which the Constitution has traveled, McGill embarks on a cross-country odyssey of America's darkest, dankest underbelly. Along the way, his white-bread sensibilities are treated to a smorgasbord of depravity that runs the gamut of human imagination. The filth mounts; it is clear that this isn't the kind of life, liberty, or happiness that Thomas Jefferson thought Americans would enjoy in the twenty-first century.
But what McGill learns as he closes in on the real Constitution is that freedom takes many forms, the most important of which may be the fight against the "good old days." Like Vonnegut, Orwell, and Huxley before him, Warren Ellis deftly exposes the hypocrisy of the "moral majority" by giving us a glimpse at the monstrous outcome that their overzealous policies would achieve.
Graphic Novelist Warren Ellis blows a hole in the seedy underbelly of Middle America in Crooked Little Vein. His debut novel is a drama / thriller / comedy so irreverent yet touches a core vein of humanity and holds up a dark tinged mirror to our base instincts. There are scenes here that you’ll never forget – my favourite being where Mike gets an entire planeload of passengers to beat the crap out of a boring guy next to him by handing him his lighter and yelling that he saw him trying to light a bomb in his shoe!
There are some cool extra materials in the book too - notes by the author including cooking tips… Even a soundtrack listing that inspired the project.

Hat's off to Ellis -I hope he writes another, or maybe would like to do some Darkmatters based graphic novel pages?

Sample text:

“The kids, only one of whom sounded hopelessly stoned, explained that their signal didn’t reach more than a couple of miles, and only that if the wind was behind it and you were standing downhill with your arms out and a wire coat-hanger stuck on top of your head.

The unstoned one was pretty smart. In between the music – which apparently was all by local unsigned bands, and some of it wasn’t bad – he talked about what they were doing and why. By playing local indie music, they were both supporting his community and broadcasting donated content that didn’t require a royalty payment. They weren’t, they insisted, pirates. They were even observing band adjacency, he said – this one, the guy who hadn’t smoked a field of weed, was obviously the Head Geek – broadcasting on 94.2, clear space between two “lite”/soft rock channels. And that was the point, he figured – most of Columbus’ dial was all eaten up by soft rock, country and Christian radio. All the major monolithic radio entities ran stations in Colombus, but they all broadcast exactly the same kind of material. They all had a Christian station, they all had anaesthetic adult easy-listening rock stations playing the kinds of records we used to lift out of our parents’ collections and use as ashtrays when I was a kid.

It suddenly occurred to me: I didn’t remember the last time I went to a gig. Couldn’t remember the last time I heard live music. Or went to a club to hear a DJ.

They played something by another local group, that had the real thump and clang of live music. The drummer started up on the toms, and collapsed into a glorious mess that sounded like he'd kicked the drumkit down a flight of stairs. The bass walked in and made the back of the car rattle. The lead guitarist went screaming down the strings and I laughed out loud, it sounded so good. And then there was a f**kload of static, ten seconds of silence, and a fight. Someone had entered their makeshift recording studio, and one of the kids, probably the smart one, had put the microphone back on.

"We are the FCC," a loud voice proclaimed. "Take off your clothes and put these orange jumpsuits on."

"The f**k?" said Herb Boy.

"Pirate radio operations have been reclassified as Broadcast Terrorism. You're going to be wearing dogs in your asses at Abu Ghraib for the next five years, you dirty bast*rds."

"This is community radio!"

"If we wanted communities, we'd make Clear Channel pay us to run them. Put on the hoods too. No more devil music for you, radio bin Laden."

Darkmatters final rating of: ööööööööö (9 – Twisted genius that drives you over the cliff of normality with nitro turbo boosts of subversiveness)


"If a Crooked Little Vein film is being considered - I'd vote Emily Browning for Trix"

Monday, July 27, 2009

Darkmatters Review: The Proposal



The Proposal (12a)

Dir. Anne Fletcher - who previously brought you 27 Dresses

Reviewed by Matt Adcock (with his lovely wife)

ONE WORD SUMMATION: Rom-cheese-com

All couples have a ‘tale’ about how they got together - mine is how I asked out both my wife and her best friend at the same time in a kind of “Would you and / or your friend like to go out with me?”… It was a bit cheeky but we’ve been married 15 years now so it must have been the right thing to do. If however I’d been in ‘The Proposal’ my tale would have gone like this:

Evil boss Margaret (Sandra Bullock) is executive editor-in-chief at book publishers Colden Books, she blackmails her loyal assistant Andrew (Ryan Reynolds) to marry her in prevent her being deported. He isn’t thrilled at the prospect but agrees if she will promote him to the rank of Editor. But the course of quickie-convenience-marriage doesn’t run smoothly and much humour occurs as the awkward pair have to spend the weekend with his parents in Alaska. Can they convince the family, and more importantly the man from immigration, that they are really in love? Is it even possible that they might actually fall for each other?

Director Anne ’27 Dresses’ Fletcher brings her pleasant brand of slick romantic comedy to this tale of true love blossoming in the face of adversity and for the first hour or so it works well. Alas by the end all has turned to overly twee, sentimental mush but there are just enough laughs along the way to make The Proposal one worth considering as a decent date movie. The scenes containing the annoying ‘Granny Annie’ (Betty White) however should have been cut because they are truly terrible…

I saw this with my wife who gave it the thumbs up, although she mentioned that Sandra Bullock might be getting a little old for this sort of role!? We agreed that Ryan Reynolds however is going to be a big star and is quality leading man material.
The two likeable leads are ably supported by the likes of the lovely Malin ‘Watchmen’ Akerman who plays Andrew’s hot blond ex-girlfriend and Craig T. Nelson who does the harsh disapproving father well.

The Proposal is probably the best girly rom-com this year so far and has done big business in the U.S. but it’s still not half as funny as The Hangover…

Darkmatters final rating of: öööööö (6 – here comes the bribe…)

Darkmatters quick reference guide:

Action 4 (move along…)
Style 6 (sassy n fun)
Babes 7 (Malin sexier than Bullock)
Comedy 6 (Some good laughs)
Horror 6 (The Grannie scenes are horrific)
Spiritual Enlightenment 4 (Limited)



"if this was your ex-girlfriend would you pick Bullock instead?"

Monday, July 20, 2009

Darkmatters Review: Harry Potter and the Half Blood Prince



Harry Potter and the Half Blood Prince (12a)

Dir. David Yates - who previously brough you Harry Potter and the Order of the Phoenix

Reviewed by Matt Adcock (with eldest son Luke in a packed show in Stevenage)

ONE WORD SUMMATION: Horcruxed

“Years ago, I knew a boy who made all the wrong choices. He seemed a student like any other. His name was Tom Riddle. Today, the world knows him by another name: Voldemort…”

Listen up muggle lovers, Harry Potter is back for the sixth time – now tackling a historical mystery about a rogue agent known only as ‘The Half Blood Prince.’ This ‘prince’ once attended Hogwarts and his annotated potions text book helps Harry shoot to the top of the class – now taught by the slimy Horace Slughorn (a genius turn from Jim Broadbent). But young Harry is growing up and so fighting ‘He Who Must Not Be Named’s minions (again) takes a bit if a backseat whilst his hormones dictate that he needs to wise up to the wiles of the fairer sex.

"Hermione - she's a keeper!"

Harry’s best friends Ron (lanky Rupert Grint) and Hermione (Emma Watson getting cuter every year) are also feeling the effects of teenage emotions kicking in and start to find each other irresistible. It is Ron’s sister Ginny (Bonnie Wright) who becomes the focus of Potter’s adolescent fantasies – or might it be true love?
The upshot of all this teen angst and hormonal desire is that Harry Potter and the Half Blood Prince – working title ‘Harry Potter and the Slightly Tedious Tying Up Of Plot Points’ limps around signifying nothing much. To this end the film, much like the book, feels like we’re treading water, dragging out the story rather than ramping up to the final climactic showdown that everybody is waiting for. Sure we do get the death of a major character but even that feels a bit cheap and is not afforded the magnitude that they deserved.


"Did I mention - miss Watson is the best thing about Half Blood Prince?"

Having said all that, Half Blood Prince isn’t actually a bad film and Potter fans will find much to enjoy here. Returning director Yates is right at home in the magical world and delivers some sumptuous visuals, a cracking game of Quidditch and plenty of wizardly attention to detail. The cast have made these parts their own and even their limited acting ability works to make the awkwardness of being a teenage feel more authentic.
If you’ve seen parts 1 – 5 then you’ll need to see this but I doubt that anyone will come out proclaim this their favourite of the series. Bring on the Deathly Hallows parts 1 & 2 already…

Darkmatters final rating of: ööööööö (7 – Harry's still quality but this one drags a bit)


Darkmatters quick reference guide:

Action 5 (lacking)
Style 7 (magical)
Babes 8 (jailbait)
Comedy 6 (Ron W)
Horror 6 (curses)
Spiritual Enlightenment 5 (sacrifice)

Matt reviews Harry Potter and:

THE GOBLET OF FIRE

THE ORDER OF THE PHOENIX

Monday, July 13, 2009

Darkmatters review - Brüno



Brüno (18)

Dir. Larry Charles

Reviewed by Matt Adcock (at a raucous late night screening)

ONE WORD SUMMATION: Kugelsack-for-the-masses

2006 saw the excellent ‘Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan’ blast a strong comedy shockwave across the world as Sasha Baron Cohen provoked middle America into showing their bigoted ugly faces to the camera. Now he’s back with Brüno – originally entitled ‘Bruno: Delicious Journeys Through America for the Purpose of Making Heterosexual Males Visibly Uncomfortable in the Presence of a Gay Foreigner in a Mesh T-Shirt’ and that title pretty much sums it up…

Brüno may have a weaker storyline than Borat, i.e. the overly camp Brüno (Cohen), a disgraced fashion TV presenter, goes to the USA to try and become a celebrity, but it overcompensate with levels of crudeness beyond what you’d usually expect of even an ’18 rated’ movie (although have just seen announcement that there will be a toned down 15 version also hitting screens).

If you’re at all squeamish about sexual imagery – we’re talking full close up male bits to camera, which are even hilariously animated to talk at one point - then you might want to look elsewhere for your laughs but if you’ve a very open mind or are looking to be challenged about people’s
responses to overt sexuality then you won’t find a funnier or more subversive big screen ‘outing’ this year.

Brüno closely follows the Borat formula of setting up deliberately incendiary situations such as a proposed peace negotiation between Israelis and Palestinians where the only thing they can agree on is that ‘humus is healthy’. Other highlights include a ‘can’t believe he’s doing this’ adoption of an African baby named OJ who he takes on black TV chat show and causes uproar, plus a climactic cage wrestling session where the term ‘man on man combat’ is put through a new definition much to the indignation and violent outrage of the beer fuelled redneck crowd.

Cohen certainly has balls in his kugelsack and he’s not shy about showing them – there is even a crazy scene of them being vacuumed at one point. But where Borat got away with lots of his racist outrageous world views due to his bumbling cultural ineptitude, Brüno often comes across
as being a less likeable and self indulgent glory hunter.

It is hard however to resist getting to witness a terrorist being asked to his face why his “King Osama looks kind of like a dirty wizard or a homeless Santa Claus?” or to wonder quite how far this self-confessed ‘hottest Austrian export since Hitler’ will go. The only way to find out is to take a date with Brüno, you might never be the same…

Darkmatters final rating of: öööööööö (8 – balls to the wall comedy goes OTT!!)

Darkmatters quick reference guide:

Action 7
Style 7
Babes 4
Comedy 8
Horror 6
Spiritual Enlightenment 3

Darkmatters does s darko



S. Darko: A Donnie Darko Tale (15)

Dir. Chris Fisher

Reviewed by Matt Adcock

ONE WORD SUMMATION: Manipulated-Living

“Look up there on that screen and try to visualise what you think God’s plan for your life is...” Pastor John, S. Darko

Life is one long insane trip. Some people just have better directions…

This genius tagline from Donnie Darko is very true when comparing the two ‘Darko’ films. I love Donnie Darko and now having witnessed S. Darko (which my son suggested they should have called ‘Sammie Darko’) I think the torrent of negative reviews it has attracted are somewhat unjustified.

Donnie Darko swept along on the genius that Richard ‘Southland Tales’ Kelly imbibed into it. S. Darko however travels in the slip stream of Donnie, it’s an engaging, thought provoking trip that seems uncertain of its freakiness just as Donnie has seemed so surely through the wormholes of tangent universes.

Is S.Darko a terrible movie? No – not in it’s own right, but is it terrible in the light of it being the sequel to one of the best films of all time?

Undeniably…

What’s it all about then? Well, this is the tale of Samantha Darko (yep, ill fated Donnie’s little sister) played again by Daveigh Chase- who has grown up all oddly sexy in a kind of Alicia Silverstone / Liv Tyler circa Aerosmith Cryin’ video way.

S. Darko is now a troubled teen who runs away from home with her bratty best friend Corey (Briana Evigan) – the two girls hit the open road but break down in a freakshow Utah town. Whilst waiting for their car to be repaired by local heart throb Randy (Ed ‘Gossip Girl’ Westwick) with whom Corey gets very friendly.

Twilight star Jackson Rathbone pops up as nerdorama Jeremy who has a thing for Samantha, also around is Iraq Jack (James Lafferty) who for reasons probably only known to the writer decides to make a ‘Frank’ metal bunny mask.

Throw into the oddball mix religious nutjob Pastor John (Matthew Davis) who may or may not be taking advantage of his one true disciple Trudy (Elizabeth Berkley).

Here's some sample dialogue:

Pastor John: “I used to be like you.”
Corey: “What, you had a training bra?”
Pastor John: “Not exactly. But when I was your age, I experienced things that made me feel like God didn't exist. Maybe you've experienced something like that too.”
Sam: “You don't know anything about me.”
Pastor John: “I can see that you're in pain.”
Sam: “I'm alive.”

So Sam’s story is less a standard sequel, more a companion piece, a lesser piece for sure but still an interesting one.

If you’re a Darko fan, then you might want to give this a look because there are some amazing scenes, stunning visuals and hey Briana Evigan is cute. But you absolutely have to set your expectations to ‘low’ because if you hope for a classic follow up then you’ll be lost in a time bending loop of disappointment…

"...what if you could go back in time, and take all those hours of pain and darkness and replace them with something better?"

Darkmatters final rating of: öööööö (6 – Living Recievers will worry about the Darko quality control)

Darkmatters quick reference guide:

Action 6
Style 7
Babes 7
Comedy 5
Horror 6
Spiritual Enlightenment 6


"Red car of death approaches"

A storm is coming, Frank says / A storm that will swallow the children / And I will deliver them from the kingdom of pain / I will deliver the children back the their doorsteps / And send the monsters back to the underground / I'll send them back to a place where no-one else can see them / Except for me / Because I am Donnie Darko…


Not convinced? Read what Marc Patterson over at the awesome Brutal As Hell has to say:

"For me Donnie Darko was simply the 12 Monkeys and Mouth of Madness for a different younger generation of movie viewers and watching it gave me a sense that others had tread this ground before and done so with perhaps a bit more intelligence. Ironically, a little over halfway through S. Darko there is a scene set at a movie theater where the featured attractions are shown on the marquis written backwards. Pay attention. They say “Twelve Monkeys” and “Strange Days”. Two not so subtle nods to a couple of influential films."

Friday, July 10, 2009

Matt 'Tiger Woods' Adcock is a Bad Ass Gamer


"Thanks Matt, glad you liked it!"

BAD ASS GAMER site... Seemed like a good idea but the guy running it folded.

So this post is defunct except for this great quote from Mr Woods:
“Hockey is a sport for white men. Basketball is a sport for black men. Golf is a sport for white men dressed like black pimps.” Tiger Woods...

Tiger’s cup of golfing goodness runs very deep this year!

Monday, July 06, 2009

Darkmatters Review - Public Enemies



Public Enemies (15)

Dir. Michael Mann

Reviewed by Matt Adcock (with good friends J and G)

ONE WORD SUMMATION: Crimtastic

“I like baseball, movies, good clothes, fast cars... and you. What else you need to know?
My name is John Dillinger and if you ask me what I want? – I’ll tell you - everything.
Right now.”

Public Enemies see Johnny Depp playing the infamous criminal Dillinger in Michael ‘Heat’ Mann’s love letter to the 1930s one man Chicago crimewave. This is without doubt 2009’s classiest, coolest and most engaging action thriller – a perfect storm of quality cast, attention to detail and stylish visual flair.

Depp is perfect in the lead role bringing the FBI’s most wanted man to believable life dripping with dangerous charisma and cool swagger. This is a guy who believes in himself, who isn’t afraid to take on the system – mostly through the liberal application of audacious bank robberies. Exciting gun fights, chases and heists ensue as the authorities do everything they can to try and contain him.

Christian ‘Terminator Salvation’ Bale plays FBI Agent Melvin Purvis, the man tasked by J. Edgar Hoover to bring Dillinger down and a wildcard in the mix here is vicious psycho ‘Baby Face Nelson’ (a convincingly unhinged Stephen Graham). Nelson doesn’t subscribe to Dillinger’s gentlemanly conduct in keeping his criminal activities to the liberation of money from major banks whilst keeping the body count to a minimum.
And the path of true robbery runs even less straight when Dillinger loses his head and his heart to Billie Frechette (Marion ‘La vie en Rose’ Cotillard).



Public Enemies is a fantastic film which rewards viewers with a captivating story, it’s hard not to find yourself rooting for the bank robbing pose as they repeatedly stick it to the man. The timing of the film couldn’t be better either with banks being at a potential all time low in the affections of most people.
Standing head and shoulders above the very average blockbusters we’ve had so far this summer, it is refreshing to find a film that you’ll want to think about afterwards and want to see again.
Director Mann has shown that he can deliver superb period action thrills to match his modern day classics Heat and Miami Vice. For me Public Enemies has crashed straight into my list of ‘best ever crime films’ to stand beside others like Goodfellas, The Godfather and Miller’s Crossing – denying yourself the chance to see this on the big screen would be a crime!

Darkmatters final rating of: ööööööööö (9 – Public Enemies will blow you away!)

Darkmatters quick reference guide:

Action 8
Style 9
Babes 7
Comedy 6
Horror 6
Spiritual Enlightenment 7

Tuesday, June 30, 2009

Darkmatters does Blood the Last Vampire



Blood: The Last Vampire 2000 – anime (15)

Dir. Hiroyuki Kitakubo



Blood: The Last Vampire 2009 – ‘real skin’ (18)

Dir. Chris Nahon




Reviewed by Matt Adcock

“You Asshole! Don't ever piss her off again! As far as we know, she's the only remaining original!”

This is a quote from the anime version of Blood: The Last Vampire (which I have owned on DVD since it came out and thought it was time to give it a re-view as I caught the new live action version at the weekend)… The quote works as advice to Chris ‘Kiss of the Dragon’ Nahon too and fortunately he’s heeded the warning as his film is a great reworking / companion piece to the anime.



Basically in both films Blood: The Last Vampire tells the tale of Saya – half-human, half-demon, all schoolgirl. This ancient immortal (who still looks like a typical 15 year old due to unexplained lack of aging) is from a bloodline of demon / vampire hunters. Needless to say that Saya is the last of her kind – duh – the clue is in the title... Saya (Gianna Jun) is more than a Japanese jailbait ass kicker, she wields a magically enhanced sword which can cleave demon vampires right in two… and she wears a sailor girl uniform whilst killing lots of bad-ass-baddies.

Saya works for The Council – no, not Luton Borough Council (been there, done that) but a shadowy organisation that employs her to hunt demons. The new film is a period piece circa 1970 but the original anime seemed more present day – judging from the military hardware on display.
Another difference is that in the feature film there is a main story arc about an ancient demon known as ‘Onigen’ (Koyuki). Bothe film open with the same scene – a subway ‘hit’ where Saya takes out a vampire and gets questioned by her superiors because the perp looks just like a normal guy… But instead of being reprimanded, Saya is sent undercover to an American military airbase in Tokyo to investigate possible demon assisted deaths there.



Here the films diverge in that in the anime Saya saves a chubby teacher and fights monsters just on the base. In the new film Saya save teenage hottie Alice McKee - spoilt daughter of the base's commanding officer – who happens to be martial arts trained too, so in effect a much more agreeable sidekick.
Bill Kong, producer of Crouching Tiger, Hidden Dragon and Hero worked on the 2009 adaptation of Blood: The Last Vampire and the fights are pleasingly stylish and brutal affairs even if all the blood that gets spilt is CGI – with an almost cartoony element to it.
This dodgy use of CGI in the new film is entirely at odds with the original anime which boasted some of the best computer generated artwork ever… (which was noted by James Cameron).

So how did I rate the two Blood: The Last Vampires?

Here you go:

Blood: The Last Vampire 2000 – anime (15)

Earns an arbitrary Darkmatters final rating of: ööööööö (7 – great visuals and fun plot but only 45mins long!)


Darkmatters quick reference guide:

Action 7
Style 9
Babes 6
Comedy 4
Horror 7
Spiritual Enlightenment 3

Blood: The Last Vampire 2009 (18)

Earns an arbitrary Darkmatters final rating of: öööööööö (8 – expanded on the original, just sit back and enjoy, don’t worry about the dodgy effects!)

Darkmatters quick reference guide:

Action 8
Style 8
Babes 8
Comedy 5
Horror 7
Spiritual Enlightenment 4


"Gianna Jun - in 'non vampire' alter ego"

Sunday, June 28, 2009

Darkmatters Review - Year One



Year One (12a)

Dir. Harold Ramis

Reviewed by Matt Adcock

ONE WORD SUMMATION: Weak-idol-offerings

Dearly beloved we are gathered here today to witness some comic tales from the bible’s Old Testament… The not so reverend Harold Ramis will conduct the lessons, mostly from Genesis, all of which feature two lesser known bible characters – Zed (Jack ‘Neverending Story III’ Black) and Oh (Michael ‘Juno’ Cera). These two loser primitives take low brow comedy to uncharted new unfunny depths, which is unforgivable given the potential Year One had to be a classic ‘prequel’ to Life of Brian.

As a bible reading Christian, I was amused at the depictions of the Old Testament characters – such as Adam (Ramis himself) and his sons Cain and Able - that original brotherly relationship that didn’t go so well. The sight seeing jaunt through Genesis also means we also get to meet Abraham (Hank Azaria), visit the infamous cities of Sodom and Gomorrah and witness the eating from the tree of the knowledge of good and evil.
Some might be offended by the hit and miss fun being poked at the biblical characters, I was more offended by just how few laughs there were throughout. Year One limps along in a series of skits, resorting to toilet humour often when the script fails to be funny. Jack Black – who I’m sure used to be funny – plays his usual over the top persona which we’ve seen a million times now, whilst some credit must go to Michael Cera whose droll straight man act at least allows him to walk away from this car wreck with some dignity.
Love interests for the two heroes come in the shapely forms of Maya (June Diane Raphael) and Eema (Juno ‘Atonement’ Temple) but they are given little to do except be sold into slavery at every turn. The patchy supporting cast also includes ‘rent a hard man’ Vinnie Jones as Sodom ‘s head of security and a creepy High Priest (Oliver Platt) who takes a bit of an unhealthy shine to Oh.


"This is about as deep as Year One gets..."

There have been less funny ‘comedy’ films but I’m struggling to think of one this year, especially after The Hangover which was just excellent. On the strength of this Ramis should forget about ancient history and bring back Ghostbusters (he wrote the latest PS3 videogame version which is great fun and shows that he’s not completely lost his touch).
Alas, if you want a religious based laugh-a-thon then you’d be better served by The Da Vinci Code which is a comedy riot compared to Year One.

Not convinced? check out this mini review of the film over at FilmJerk.com:

"'Year One' is not quite the death of comedy, but it tries for a cartwheeling tone of irreverence and buffoonery that doesn’t quite fit in with today’s presentations of irony and sarcasm, and lacks the crisp, filling writing of yesteryear. There’s barely more than a few laughs during the entire film, but I suppose there should be some appreciation offered for even attempting an expansive giggle melee such as this. And then a character decides to eat a piece of poop. And then 'Year One' becomes an inexcusable misfire from a group of professionals who really should’ve known better.”

Arbitrary Darkmatters final rating of: ööööö (5 - patchy and weak despite great premise and cast)

Darkmatters quick reference guide:

Action 6
Style 6
Babes 6
Comedy 6
Horror 4
Spiritual Enlightenment -5

Darkmatters DVD Review - Ben X



Ben X (15)

Dir. Nic Balthazar

Reviewed by Matt Adcock

ONE WORD SUMMATION: Virtua-Rain-Teen

“Courage is everything.”

Want to play a game? Ever fancied being the strapping hero in a far off realm? Fighting for justice, saving the day and getting the girl… The opportunities are many if you sign up for games like Archlord but alas not always so easy in the real world – especially if you have Asperger syndrome - an autism spectrum disorder (ASD), and people with it therefore show significant difficulties in social interaction, along with stereotypes and other restricted and repetitive patterns of behaviour and interests…

Welcome to the world of Ben X, a debut feature developed by Nic Balthazar from his own novel. The titular ‘Ben’ (newcomer Greg Timmermans) is a young guy with problems – not only does he suffer from autism which makes him pretty much unable to function socially, Ben is also on the receiving end of some vicious bullying and feeling helpless to know what to do.

What he does is to become Ben X, a level 80 warrior in the online realm of Archlord which he plays every day – and through which he has developed his only ‘friend’ another player, a female healer babe character, who goes by the name of Scarlite (Laura Verlinden). In a surprising and fairly unbelievable plot twist, Scarlite in the real world isn’t a pervy 40 something year old nonce seeking jailbait on the web – no she’s a teenager who might just hold the path to salvation for tragic Ben. Ben X plays out well even whipping in some Sigur Ros soundtrack at the end.

This film also rips real emotion from the viewer with its clever interspersed interview footage of Ben’s parents, teachers and doctors. Plus superb game footage from Archlord which turns this into a pseudo fantasy film and amps up the watchability considerably for game fans. As someone who was bullied myself at school, I related to the real heartfelt authenticity at work in this film – and can only hope the muted American remake keeps this throughout.

So the plot builds to a palpable sense of dread, you just know that something bad is going to happen. And I’m not gonna spoil it for you as if you’re looking for an engaging and curious slice of teen angst from a different perspective… step up for Ben X.

Not convinced? check out this mini review of the film over at Screenjabber:

"Ben X is an audacious debut from writer/director Balthazar. Said to be based on a true story, it began life as a book, then a play and now it's being remade (again by Balthazar) for Hollywood. More an examination of bullying in school than of autism, it's an emotional rollercoaster ride that leaves the viewer quite drained.”

Arbitrary Darkmatters final rating of: öööööööö (8 - you say it best, when you say nothing at all)

Darkmatters quick reference guide:

Action 6
Style 8
Babes 6
Comedy 4
Horror 6
Spiritual Enlightenment 5


"Is that a +10 powersword in you pocket, or are you just pleased to see me?"

Wednesday, June 24, 2009

Alice In Wonderland - Tim Burton brings the madness...


'Mia Wasikowska - fresh from Defiance, enters the rabbit hole'

Alice In Wonderland - Tim Burton brings the madness...

New images from next year's Alice reworking are all over the net but they're so good I just had to share them here too...

Really excited about this one.


'Helena Bonham Carter does the Red Queen'



'Wonderland's guardians... Also known as Matt Lucas'



'Johnny Depp... the Manson of Mad Hatters'

Genius!!!

Monday, June 22, 2009

Darkmatters Review - Transformers: Revenge of the Fallen




Transformers: Revenge of the Fallen (12a)

Dir. Michael Bay

Reviewed by Matt Adcock (in Luton with my sons aged 8 & 12 - who loved this film big time)

Strap in for the biggest, loudest action overload of the summer… The heavy metal Transformers are back and this time the heroic Autobots have got to stop the evil Decepticons destroying our sun (the ball of gas not the newspaper).

You might be surprised if I told you that ‘Transformers: Revenge of the Fallen is a subtle, gently nuanced film full of real human emotion and poignancy’ – actually I’d be surprised if I told you that too because nothing could be further from the truth.

Michael ‘Transformers and Bad Boys’ Bay subscribes to the filmmaking ethos of ‘Let’s blow up as much as we can and make the destruction look as good as possible’… He also seems to have a bit of a military fetish going on – never before have so many G.I.’ s been made to look so macho and patriotic, nobody does military hardware silhouetted against sunsets or explosions quite as well as this chap… It almost made me want to sign up for a tour of duty

Also in a Bay film, every single character has to have ‘hot moment’ where the camera pans around them slowly as they look earnestly into the middle distance. In the case of returning love interest Michaela (supernova hot Megan Fox) or new evil love interest rival Alice (unfeasibly attractive Isabel Lucas) – that’s not actually such a bad thing.

The main stars here though are the robots – brought to shiny, intricate life once again by the genius special effects teams of Industrial Light and Magic (ILM). Transformers: Revenge of the Fallen really does up the ante as to just what is possible to achieve on screen. The humans led by Sam (Shia ‘new Indiana Jones’ LaBeouf) run around getting in the way of the metal marvels whose clashes are suitably epic. One thing though, the robots aren’t that bright – summed up when new Autobots ‘Skids and Mudflap’ explain that they can’t actually read…

There is a plot of sorts but it really doesn’t need explaining, all you really need to know in order to appreciate this film is that thinking about it will only spoil it. There may never be a bigger, stupider or better looking summer blockbuster on planet earth… Although given the colossal amount of cash this is likely to make, the chances are that this won’t be the last time we see Optimus Prime and pals strutting their CGI stuff on the big screen. Good news for action loving filmgoers as long as you can unplug your brain before witnessing it.

Darkmatters Rating out of 5: öööö (4 - so wrong it's right!)

Darkmatters quick reference guide:
Action 4
Style 4
Comedy 3
Horror 4
Spiritual Enlightenment -2


Not convinced? check out this mini review of the film over at Tom Wade's Emporium of Man Love:

"Technoarmybabble talk scenes ‘Get the F17 to BRING THE RAIN in quadrant 17 of the T12’s white zero fly by in ZXA altitude…’ Am I boring you yet? Seriously, I’ve not left the cinema this angry for a long long time. Yes I know it’s a film about fighting robots blah blah blah – but that’s no excuse for self indulgent bloated work that my nephew could write in his sleep
No matter what I say you’ll either still go see it, or would have already seen it. if you’ve already witnessed it – I share your anger and pain. If you haven’ yet, go wonder into your local hospital and try and catch swine flu. I promise it’ll be time better spent.

And Matt Adcock – I know you loved this. But you’re wrong"

Read the Darkmatters review of the original Transformers HERE

Thursday, June 18, 2009

Punisher: War Zone

Be warned - The Punisher is being unleashed...

Punisher: War Zone is out to buy on Blu-ray, DVD and UMD Video on 22 June, 2009 from Sony Pictures Home Entertainment.

Adapted from the popular Marvel comic, former FBI agent turned vigilante The Punisher pulls no punches in this action-packed sequel starring hard man actor Ray Stevenson and British heart throb and star of TV’s “The Wire” Dominic West.

Click below to see what all the fuss is about: